OK: Found an XML parser. OK: Support for GZIP encoding. OK: Support for character munging.
Notice: MagpieRSS [debug] Returning STALE object for http://feeds.feedburner.com/movs/YWxt in D:\usr\home\ver10.webmoba.com\public_html\client\tools\public_html\feed2js\magpie\rss_fetch.inc on line 243
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["title"]=>
string(58) "Feminicida de Selma Illanes se quitó la vida en Argentina"
["link"]=>
string(110) "https://bestmoviestoday.movs.world/healthandscience/feminicida-de-selma-illanes-se-quito-la-vida-en-argentina/"
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string(12) "Paula Hooper"
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string(31) "Thu, 03 Feb 2022 07:44:18 +0000"
["category"]=>
string(59) "Health And ScienceArgentinaFeminicidaIllanesquitóSelmavida"
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string(43) "https://bestmoviestoday.movs.world/?p=23889"
["description"]=>
string(620) "Deiby Paco Herrera, buscado como el principal sospechoso del feminicidio de Selma Illanes, fue encontrado muerto en Argentina, según confirmó la Policía. Deiby, de 36 años, llegó al país vecino y se hospedó en un alojamiento. A la dueña le dijo que se iría a las 9:00 de la mañana del viernes 20 de agosto. ... Read more"
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Deiby Paco Herrera, buscado como el principal sospechoso del feminicidio de Selma Illanes, fue encontrado muerto en Argentina, según confirmó la Policía.
Deiby, de 36 años, llegó al país vecino y se hospedó en un alojamiento. A la dueña le dijo que se iría a las 9:00 de la mañana del viernes 20 de agosto. Sin embargo, a las 10:20, el huésped no bajaba y la propietaria fue a buscarlo.
Fue ella quien comprobó que Deiby Paco se había ahorcado de una ventana. Antes de hacerlo, envió varios mensajes de Messenger a un amigo, desde una cuenta falsa.
«Es mi despedida hermano. Lo siento, sé que fallé como hombre, como hermano, como padre y como amigo. Me arrepiento mucho de fallarles, pero no me arrepiento de lo que hice. Y no lo haré. Ahora estoy muerto en vida y solo queda descansar. Ya hicieron todo conmigo, me mataron por dentro, sacaron lo peor de mí».
«Esa tipa jugó conmigo hasta llenar mi vida de odio y no es como dice su familia. Yo también quise dejarla, pero ambos no nos dejábamos. Hermano pedirte que luches por mis hijos, ahora me toca descansar. Perdón por no ser un buen hermano ni padre. Te pido que cuiden mucho a mis hijos».
Deiby Paco tenía dos hijos, un varón y una niña, de una anterior relación sentimental. Vivía con ellos y le envió un mensaje al número de su amigo: «Mis hijos, les fallé como padre. Los amo mucho hijitos, mis gorditos, les fallé».
A su amigo le escribió: «Gracias mi carnalito por toda la amistad compartida. Despedime de los cuates, Real Nocturno hasta la muerte». Luego nombró a sus hermanos, escribió que los amaba y les pidió perdón por lo que iba a hacer. «No me entierren, quémenme y echen las cenizas al cerro o déjenme al lado de mi Harold».
Por lo que escribió, pretendía llegar a otra ciudad de Argentina para despedirse de cuatro personas, pero acotó que ya no pudo hacerlo.
La abogada del Observatorio de Justicia de la Fundación Voces Libres, Mercedes Cortez, recordó que Selma Illanes, la víctima de 24 años, fue estrangulada y arrojada en el camino a Misicuni.
La hallaron el 18 de agosto, aunque estaba reportada como desaparecida desde el 16, cuando se despidió de su hermano Albert y se fue con su enamorado, Deiby Paco.
Mary Illanes, la hermana de Selma, al enterarse de que el feminicida se había suicidado declaró: «Deiby ha cometido dos crímenes, el quitarle la vida a mi hermana y ahora suicidarse él, sin pensar en sus hijos, en las familias. Solo puedo pedir que también descanse Deiby en paz, no nos queda otra, aunque la justicia divina hará el resto. Mi hermana ya está muerta y nada nos la va a regresar. Nosotros ya no podemos hacer nada», dijo llorando.
«Albert, Mary y la madre de Selma están muy afectados por lo ocurrido. Albert era muy unido a su hermana y fue el último en ver a la pareja, en una discoteca, antes de la tragedia. Este proceso concluye con la muerte del feminicida confeso, pero hay una familia destrozada que no halla consuelo porque le arrebataron a uno de sus seres más amados’», sostuvo la abogada Mercedes Cortez. (VocesLibres)
We want to say thanks to the writer of this write-up for this remarkable web content
"
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string(620) "Deiby Paco Herrera, buscado como el principal sospechoso del feminicidio de Selma Illanes, fue encontrado muerto en Argentina, según confirmó la Policía. Deiby, de 36 años, llegó al país vecino y se hospedó en un alojamiento. A la dueña le dijo que se iría a las 9:00 de la mañana del viernes 20 de agosto. ... Read more"
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Deiby Paco Herrera, buscado como el principal sospechoso del feminicidio de Selma Illanes, fue encontrado muerto en Argentina, según confirmó la Policía.
Deiby, de 36 años, llegó al país vecino y se hospedó en un alojamiento. A la dueña le dijo que se iría a las 9:00 de la mañana del viernes 20 de agosto. Sin embargo, a las 10:20, el huésped no bajaba y la propietaria fue a buscarlo.
Fue ella quien comprobó que Deiby Paco se había ahorcado de una ventana. Antes de hacerlo, envió varios mensajes de Messenger a un amigo, desde una cuenta falsa.
«Es mi despedida hermano. Lo siento, sé que fallé como hombre, como hermano, como padre y como amigo. Me arrepiento mucho de fallarles, pero no me arrepiento de lo que hice. Y no lo haré. Ahora estoy muerto en vida y solo queda descansar. Ya hicieron todo conmigo, me mataron por dentro, sacaron lo peor de mí».
«Esa tipa jugó conmigo hasta llenar mi vida de odio y no es como dice su familia. Yo también quise dejarla, pero ambos no nos dejábamos. Hermano pedirte que luches por mis hijos, ahora me toca descansar. Perdón por no ser un buen hermano ni padre. Te pido que cuiden mucho a mis hijos».
Deiby Paco tenía dos hijos, un varón y una niña, de una anterior relación sentimental. Vivía con ellos y le envió un mensaje al número de su amigo: «Mis hijos, les fallé como padre. Los amo mucho hijitos, mis gorditos, les fallé».
A su amigo le escribió: «Gracias mi carnalito por toda la amistad compartida. Despedime de los cuates, Real Nocturno hasta la muerte». Luego nombró a sus hermanos, escribió que los amaba y les pidió perdón por lo que iba a hacer. «No me entierren, quémenme y echen las cenizas al cerro o déjenme al lado de mi Harold».
Por lo que escribió, pretendía llegar a otra ciudad de Argentina para despedirse de cuatro personas, pero acotó que ya no pudo hacerlo.
La abogada del Observatorio de Justicia de la Fundación Voces Libres, Mercedes Cortez, recordó que Selma Illanes, la víctima de 24 años, fue estrangulada y arrojada en el camino a Misicuni.
La hallaron el 18 de agosto, aunque estaba reportada como desaparecida desde el 16, cuando se despidió de su hermano Albert y se fue con su enamorado, Deiby Paco.
Mary Illanes, la hermana de Selma, al enterarse de que el feminicida se había suicidado declaró: «Deiby ha cometido dos crímenes, el quitarle la vida a mi hermana y ahora suicidarse él, sin pensar en sus hijos, en las familias. Solo puedo pedir que también descanse Deiby en paz, no nos queda otra, aunque la justicia divina hará el resto. Mi hermana ya está muerta y nada nos la va a regresar. Nosotros ya no podemos hacer nada», dijo llorando.
«Albert, Mary y la madre de Selma están muy afectados por lo ocurrido. Albert era muy unido a su hermana y fue el último en ver a la pareja, en una discoteca, antes de la tragedia. Este proceso concluye con la muerte del feminicida confeso, pero hay una familia destrozada que no halla consuelo porque le arrebataron a uno de sus seres más amados’», sostuvo la abogada Mercedes Cortez. (VocesLibres)
We want to say thanks to the writer of this write-up for this remarkable web content
"
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string(52) "The Best Netflix Horror Movies to Watch This October"
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string(100) "https://bestmoviestoday.movs.world/scream-away/the-best-netflix-horror-movies-to-watch-this-october/"
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string(31) "Thu, 03 Feb 2022 07:08:26 +0000"
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string(42) "Scream AwayHorrorMoviesNetflixOctoberWatch"
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string(636) "Blumhouse ProductionsNetflix This article is updated as new movies come and go from Netflix. New scary movies are always available right before Halloween, but sometimes you can’t wait that long to get your fright on. There’s just something about the cathartic release of a good jump-scare, and, when you’re in the mood, nothing else can ... Read more"
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Blumhouse ProductionsNetflix
This article is updated as new movies come and go from Netflix.
New scary movies are always available right before Halloween, but sometimes you can’t wait that long to get your fright on. There’s just something about the cathartic release of a good jump-scare, and, when you’re in the mood, nothing else can give you that feeling. And while new thrillers generally come to theaters at certain times of the year — like late summer, October and January — horror movies on Netflix are available to you year-round. So, after cozying up on the couch, fire up one of these scary streaming horror movies — and do hold onto your popcorn tightly.
From haunted houses to possessed people, there’s a terrifying surprise in store within all of these essential Netflix horror movies. There are some of your favorite scary movies mixed in with some new fare that you probably haven’t seen (or some you’ve seen, but want to watch again with your eyes open this time). If you’re worried about disturbing your neighbors because of your horrified screams, or if you’re looking for something to watch on family movie night, you might want to consider watching a one of our favorite kid-friendly scary movies instead.
Advertisement – Continue Reading Below
1
There’s Someone Inside Your House (2021)
A high schooler and her friends are stalked by a serial killer hellbent on exposing their darkest secrets in this slasher flick.
The town of Rockwell Falls has had the same number of residents — 436 — for over a century. A census taker visits to find out why, and is horrified by what she discovers.
This film follows Ambar, a woman who moves into a boarding house in Cleveland and starts seeing ghostly apparitions and hearing screams and other voices. But since Ambar is undocumented, she doesn’t think she can turn to anyone for help.
In the running for number one scariest movie on Netflix, this film follows a couple that flees South Sudan for asylum in England, only to learn that they may have brought a presence with them. It asks whether it’s possible for people, not houses, to be haunted.
Based on the book All Things Cease to Appear by Elizabeth Brundage, this film follows a family that moves from the city out to a farmhouse in upstate New York. As Catherine (Amanda Seyfried) starts to feel more lonely and isolated in her role as wife and mother, she starts to experience strange things in the house, possibly related to its previous (and deceased) owners.
RELATED: True Crime Documentaries on Netflix That Are Too Scary for Primetime
9
#Alive (2020)
Interesting timing for this South Korean horror film, a pandemic-related film released in 2020: It’s about a virus that turns people into zombie-like creatures, and a video game streamer who’s holed up in his apartment alone, looking for help. Audiences suffering from pandemic cabin fever might relate too well.
It’s a simple but effective premise: A couple heads to a remote vacation home for a romantic getaway, and everything’s great until a trio of mysterious (and eventually we realize, murderous) strangers show up.
What if sharks were genetically engineered to outsmart humans? That’s the question at the center of this campy but entertaining movie starring LL Cool J, Samuel L. Jackson and Saffron Burrows.
Mysterious forces, supernatural curses and the Italian countryside? This under-the-radar film is about a woman who believes her daughter is cursed, and tries to protect her from elusive dangers.
If you’re a fan of Guillermo del Toro’s lush cinematography, decaying British manor homes and doomed romance, then you’ll want to check out this gothic horror film. It’s not your typical scary movie, but it’ll creep you out nevertheless.
Things start out simple enough: A couple goes on vacation, where they indulge in one too many drinks. But then the next day they’re presented with a video neither can remember making, wherein one of them kills the other. A hoax, or a warning? Maggie Q and Luke Hemsworth star as the couple.
RELATED: The 25 Best Netflix Original Movies, Ranked
15
Army of the Dead (2021)
If you’re in the mood for a zombie flick, queue up this Zack Snyder-directed action movie about a group of mercenaries that fights off the undead while attempting to pull off a dangerous heist.
This movie wrings a lot of horror out of a very simple premise: There are scary things lurking where you can’t see. Based on a novella by Stephen King and Joe Hill (King’s son), it begins as adult siblings Becky and Cal rescue a young boy from a field of tall grass.
If you like the Quiet Place franchise, this movie also turns silence into a creepy plot device. In it, a deaf writer who lives out in the woods alone has to fight for her life when a killer shows up out of nowhere.
More psychological thriller than gore-fest, Sam Worthington plays a dad whose daughter breaks her arm while traveling. At the hospital, he falls asleep … and when he wakes up, his wife and daughter are nowhere to be found.
A videographer who takes an odd Craiglist job slowly begins to discover that his client is not who he says he is during this intense thriller. It stars Mark Duplass, a staple everyman in many horror movies.
There’s nothing creepier than a serial killer — except a killer at large that pops up periodically, once every nine years, to kill again. This movie is about a Philly detective who sets out to solve one such case, and figure out how the killer’s crimes seem to defy science.
If you haven’t been introduced to the work of The Warrens, this is the film to start with — then you can move on to the sequels and spin-offs like Annabelle and The Nun. This one finds Ed and Lorraine helping out a family of seven who start experiencing strange things in their Rhode Island farmhouse.
With the third installment, The Conjuring: The Devil Made Me Do It now available on VOD, perhaps it’s time for a refresh on the series? In this chapter, paranormal investigators Ed and Lorraine Warren — characters based on real people — look into a possible haunting in Enfield, England, which is also based on a real case.
A cam girl starts to be plagued with a look-alike who starts to take over her account — and the rest of her life. But who — or what — can be behind it all? If you weren’t paranoid about how much sway the internet has over your life before, you will be after this one.
A brother and sister duo in this film make their living by faking paranormal investigations. When their plot for some extra cash turns truly horrifying, they find themselves fighting for their lives.
You won’t know who to trust in this story. Set in a post-apocalyptic world, a desperate young couple seeks refuge at the home of a secure and well-armed family. Suspicions are high all-around, but are any of them based on something real?
Every teenager has played a round of this game, and knows that there are often tall tales to go along with it. But when one group of friends rents a house and starts to play, they may realize that an old story about a deadly round of truth or dare may be true.
Based a wildly popular Japanese Manga, this movie has brilliant premise — a high school boy gets his hand a supernatural notebook that can kill whoever’s name is written in its pages. But what to do with that power?
This British horror movie follows four friends venturing through the Swedish wilderness. No one is safe from the supernatural forces outside of their tents. This is a good one for anyone who has ever wondered what’s out there in the woods.
Haley Joel Osment wasn’t the only kid who saw dead people. In this Indonesian thriller, a young woman’s little sister sees ghosts, so she goes on a mission to learn more about the spirits haunting their home.
It’s hard being babysat when you’re 12 and think you’re too old for it. It’s even harder when your babysitter is part of a Satanic cult that wants to keep you quiet. This movie was directed by McG — who’s best known for the Charlie’s Angels movie with Cameron Diaz, Drew Barrymore and Lucy Liu — and if you enjoy it, Netflix has a sequel: The Babysitter: Killer Queen.
Fans of The Haunting of Hill House will be thrilled to know that Gerald’s Game has the same director. Based on the book by Stephen King, it’s a psychological horror movie about a woman in a strange predicament: Her husband dies suddenly while she’s still handcuffed to their bed.
When a couple adopts a little boy named Cody, played by Wonder’s Jacob Tremblay, they face unexpected roadblocks. As it turns out, Cody’s dreams come to life — and, unfortunately, so do his nightmares.
There’s nothing funny about these ghostbusters. When a group visits an abandoned house and a bloodbath takes place, a detective and psychologist must investigate what went down.
The sequel to Sinister, which is oddly not on Netflix, the film follows a family that is haunted by children who have been taken by a demonic inhabitant of their house. But are the ghostly kids there to help?
Godzilla vs. Kong‘s Adam Wingard directs this creepy slow-burn thriller. In it, Dan Stevens plays a man who introduces himself to the family of a fallen soldier. The family invites him in, believing he was a close friend, but soon enough the story starts to unravel.
This movie is part of a trend known as “screenlife” films, where all you get to see as an audience member is someone’s computer screen. In it, five teenagers are video chatting when an uninvited participant shows up and tries to get them to admit their role in a girl’s suicide a year earlier. There’s a sequel, Unfriended: Dark Web, that’s not on Netflix.
Blake Bakkila Associate Editor Blake is a former Associate Editor for GoodHousekeeping.com covering beauty, celebrity, holiday entertaining, and other lifestyle news.
Marisa LaScala Senior Parenting & Relationships Editor Senior Parenting & Relationships Editor Marisa LaScala covers all things parenting, from the postpartum period through empty nests, for Good Housekeeping; she previously wrote about motherhood for Parents and Working Mother.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io
Advertisement – Continue Reading Below
We want to say thanks to the writer of this post for this awesome content
"
}
["summary"]=>
string(636) "Blumhouse ProductionsNetflix This article is updated as new movies come and go from Netflix. New scary movies are always available right before Halloween, but sometimes you can’t wait that long to get your fright on. There’s just something about the cathartic release of a good jump-scare, and, when you’re in the mood, nothing else can ... Read more"
["atom_content"]=>
string(41310) "
Blumhouse ProductionsNetflix
This article is updated as new movies come and go from Netflix.
New scary movies are always available right before Halloween, but sometimes you can’t wait that long to get your fright on. There’s just something about the cathartic release of a good jump-scare, and, when you’re in the mood, nothing else can give you that feeling. And while new thrillers generally come to theaters at certain times of the year — like late summer, October and January — horror movies on Netflix are available to you year-round. So, after cozying up on the couch, fire up one of these scary streaming horror movies — and do hold onto your popcorn tightly.
From haunted houses to possessed people, there’s a terrifying surprise in store within all of these essential Netflix horror movies. There are some of your favorite scary movies mixed in with some new fare that you probably haven’t seen (or some you’ve seen, but want to watch again with your eyes open this time). If you’re worried about disturbing your neighbors because of your horrified screams, or if you’re looking for something to watch on family movie night, you might want to consider watching a one of our favorite kid-friendly scary movies instead.
Advertisement – Continue Reading Below
1
There’s Someone Inside Your House (2021)
A high schooler and her friends are stalked by a serial killer hellbent on exposing their darkest secrets in this slasher flick.
The town of Rockwell Falls has had the same number of residents — 436 — for over a century. A census taker visits to find out why, and is horrified by what she discovers.
This film follows Ambar, a woman who moves into a boarding house in Cleveland and starts seeing ghostly apparitions and hearing screams and other voices. But since Ambar is undocumented, she doesn’t think she can turn to anyone for help.
In the running for number one scariest movie on Netflix, this film follows a couple that flees South Sudan for asylum in England, only to learn that they may have brought a presence with them. It asks whether it’s possible for people, not houses, to be haunted.
Based on the book All Things Cease to Appear by Elizabeth Brundage, this film follows a family that moves from the city out to a farmhouse in upstate New York. As Catherine (Amanda Seyfried) starts to feel more lonely and isolated in her role as wife and mother, she starts to experience strange things in the house, possibly related to its previous (and deceased) owners.
RELATED: True Crime Documentaries on Netflix That Are Too Scary for Primetime
9
#Alive (2020)
Interesting timing for this South Korean horror film, a pandemic-related film released in 2020: It’s about a virus that turns people into zombie-like creatures, and a video game streamer who’s holed up in his apartment alone, looking for help. Audiences suffering from pandemic cabin fever might relate too well.
It’s a simple but effective premise: A couple heads to a remote vacation home for a romantic getaway, and everything’s great until a trio of mysterious (and eventually we realize, murderous) strangers show up.
What if sharks were genetically engineered to outsmart humans? That’s the question at the center of this campy but entertaining movie starring LL Cool J, Samuel L. Jackson and Saffron Burrows.
Mysterious forces, supernatural curses and the Italian countryside? This under-the-radar film is about a woman who believes her daughter is cursed, and tries to protect her from elusive dangers.
If you’re a fan of Guillermo del Toro’s lush cinematography, decaying British manor homes and doomed romance, then you’ll want to check out this gothic horror film. It’s not your typical scary movie, but it’ll creep you out nevertheless.
Things start out simple enough: A couple goes on vacation, where they indulge in one too many drinks. But then the next day they’re presented with a video neither can remember making, wherein one of them kills the other. A hoax, or a warning? Maggie Q and Luke Hemsworth star as the couple.
RELATED: The 25 Best Netflix Original Movies, Ranked
15
Army of the Dead (2021)
If you’re in the mood for a zombie flick, queue up this Zack Snyder-directed action movie about a group of mercenaries that fights off the undead while attempting to pull off a dangerous heist.
This movie wrings a lot of horror out of a very simple premise: There are scary things lurking where you can’t see. Based on a novella by Stephen King and Joe Hill (King’s son), it begins as adult siblings Becky and Cal rescue a young boy from a field of tall grass.
If you like the Quiet Place franchise, this movie also turns silence into a creepy plot device. In it, a deaf writer who lives out in the woods alone has to fight for her life when a killer shows up out of nowhere.
More psychological thriller than gore-fest, Sam Worthington plays a dad whose daughter breaks her arm while traveling. At the hospital, he falls asleep … and when he wakes up, his wife and daughter are nowhere to be found.
A videographer who takes an odd Craiglist job slowly begins to discover that his client is not who he says he is during this intense thriller. It stars Mark Duplass, a staple everyman in many horror movies.
There’s nothing creepier than a serial killer — except a killer at large that pops up periodically, once every nine years, to kill again. This movie is about a Philly detective who sets out to solve one such case, and figure out how the killer’s crimes seem to defy science.
If you haven’t been introduced to the work of The Warrens, this is the film to start with — then you can move on to the sequels and spin-offs like Annabelle and The Nun. This one finds Ed and Lorraine helping out a family of seven who start experiencing strange things in their Rhode Island farmhouse.
With the third installment, The Conjuring: The Devil Made Me Do It now available on VOD, perhaps it’s time for a refresh on the series? In this chapter, paranormal investigators Ed and Lorraine Warren — characters based on real people — look into a possible haunting in Enfield, England, which is also based on a real case.
A cam girl starts to be plagued with a look-alike who starts to take over her account — and the rest of her life. But who — or what — can be behind it all? If you weren’t paranoid about how much sway the internet has over your life before, you will be after this one.
A brother and sister duo in this film make their living by faking paranormal investigations. When their plot for some extra cash turns truly horrifying, they find themselves fighting for their lives.
You won’t know who to trust in this story. Set in a post-apocalyptic world, a desperate young couple seeks refuge at the home of a secure and well-armed family. Suspicions are high all-around, but are any of them based on something real?
Every teenager has played a round of this game, and knows that there are often tall tales to go along with it. But when one group of friends rents a house and starts to play, they may realize that an old story about a deadly round of truth or dare may be true.
Based a wildly popular Japanese Manga, this movie has brilliant premise — a high school boy gets his hand a supernatural notebook that can kill whoever’s name is written in its pages. But what to do with that power?
This British horror movie follows four friends venturing through the Swedish wilderness. No one is safe from the supernatural forces outside of their tents. This is a good one for anyone who has ever wondered what’s out there in the woods.
Haley Joel Osment wasn’t the only kid who saw dead people. In this Indonesian thriller, a young woman’s little sister sees ghosts, so she goes on a mission to learn more about the spirits haunting their home.
It’s hard being babysat when you’re 12 and think you’re too old for it. It’s even harder when your babysitter is part of a Satanic cult that wants to keep you quiet. This movie was directed by McG — who’s best known for the Charlie’s Angels movie with Cameron Diaz, Drew Barrymore and Lucy Liu — and if you enjoy it, Netflix has a sequel: The Babysitter: Killer Queen.
Fans of The Haunting of Hill House will be thrilled to know that Gerald’s Game has the same director. Based on the book by Stephen King, it’s a psychological horror movie about a woman in a strange predicament: Her husband dies suddenly while she’s still handcuffed to their bed.
When a couple adopts a little boy named Cody, played by Wonder’s Jacob Tremblay, they face unexpected roadblocks. As it turns out, Cody’s dreams come to life — and, unfortunately, so do his nightmares.
There’s nothing funny about these ghostbusters. When a group visits an abandoned house and a bloodbath takes place, a detective and psychologist must investigate what went down.
The sequel to Sinister, which is oddly not on Netflix, the film follows a family that is haunted by children who have been taken by a demonic inhabitant of their house. But are the ghostly kids there to help?
Godzilla vs. Kong‘s Adam Wingard directs this creepy slow-burn thriller. In it, Dan Stevens plays a man who introduces himself to the family of a fallen soldier. The family invites him in, believing he was a close friend, but soon enough the story starts to unravel.
This movie is part of a trend known as “screenlife” films, where all you get to see as an audience member is someone’s computer screen. In it, five teenagers are video chatting when an uninvited participant shows up and tries to get them to admit their role in a girl’s suicide a year earlier. There’s a sequel, Unfriended: Dark Web, that’s not on Netflix.
Blake Bakkila Associate Editor Blake is a former Associate Editor for GoodHousekeeping.com covering beauty, celebrity, holiday entertaining, and other lifestyle news.
Marisa LaScala Senior Parenting & Relationships Editor Senior Parenting & Relationships Editor Marisa LaScala covers all things parenting, from the postpartum period through empty nests, for Good Housekeeping; she previously wrote about motherhood for Parents and Working Mother.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io
Advertisement – Continue Reading Below
We want to say thanks to the writer of this post for this awesome content
"
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string(78) "Jason Statham Versus Iko Uwais Fight Teased in New The Expendables 4 Set Video"
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string(691) "Several videos from the filming of The Expendables 4 put the focus on Jason Statham’s knife-wielding mercenary. A pair of set videos from the filming of upcoming action sequel The Expendables 4 tease Jason Statham’s central role, as well as giving us a glimpse of what’s sure to be a thrilling battle between Statham and ... Read more"
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Several videos from the filming of The Expendables 4 put the focus on Jason Statham’s knife-wielding mercenary.
A pair of set videos from the filming of upcoming action sequel The Expendables 4 tease Jason Statham’s central role, as well as giving us a glimpse of what’s sure to be a thrilling battle between Statham and fellow action superstar Iko Uwais. The actor is shown wielding his character’s signature knives as he aggressively dispatches with nameless henchmen during filming before becoming all smiles when the cameras stop rolling.
The brief look at Jason Statham versus Iko Uwais is the real highlight though, as both actors try their best to land a punch in what will no doubt be the highlight of the movie. Despite it being a mere glimpse, it’s surely more than enough to have the hearts of many an action movie fan racing. The second clip again shows Statham on set, this time manning a large machine gun during one of the movie’s many car chases.
MOVIEWEB VIDEO OF THE DAY
Directed by Scott Waugh, the plot of The Expendables 4 is being kept a mystery for now, though we do know that Jason Statham will reunite with Sylvester Stallone, with the pair expected to be joined by many familiar faces including Randy Couture, Dolph Lundgren, and Terry Crews. The fourth outing will also introduce several new faces, with the likes of 50 Cent, Megan Fox, and martial arts masters Tony Jaa and Iko Uwais due to enter the action-packed fray. Andy Garcia has also been recruited to The Expendables‘ latest mission with the Academy Award nominated actor reportedly signing on to play a CIA agent assigned to accompany the team on their latest mission, which will no doubt lead to much bloodshed and explosions in the name of justice and a worthy payday.
It has also since been revealed that Hollywood icon Sylvester Stallone will only have a small role in The Expendables 4, with the actor stepping away from the franchise to make way for Jason Statham’s character Lee Christmas to take the lead. “This will be my last day,” Stallone said in a recent Instagram post from the set of the sequel. “I’m enjoying it, but it’s always bittersweet when something you’ve been so attached to – I guess since, well now it’s been about 12 years – and ready to pass the baton on to Jason in his capable hands.”
Iko Uwais meanwhile, who wonderfully demonstrated his penchant for punching and kicking people to death in the visual poetry that is The Raid and its sequel The Raid 2, will play the villain opposite Statham’s knife-wielding mercenary and the rest of The Expendables. Uwais is set to star as a former military officer with his own army and a side-line in arms dealing, something which the titular team will be hoping to put an end to in the only way they know how…by killing everyone.
The last audiences saw The Expendables was in 2014’s critically maligned The Expendables 3, so here’s hoping that the fourth outing will live up to the promise of no-nonsense 80s action flicks. It certainly has the ingredients in place to do so. The Expendables 4 is scheduled to be released in 2022 by Lionsgate. These clips come to us courtesy of Jason Statham’s official Instagram account.
Joseph Morgan and Other New Villains Join Cast of Titans Season 4
Joseph Morgan has been cast as Brother Blood. He will be joined by Franka Potente as Mother Mayhem and Lisa Ambalavanar as Jinx.
Read Next
About The Author
Jonathan Fuge (2947 Articles Published)
Film Fanatic. Movie Maniac. Asserting his opinion wherever he goes, whether it is warranted or not. Writing for www.movieweb.com since 2019. Follow me @ https://twitter.com/FugitiveJon.
More
From Jonathan Fuge
We want to give thanks to the writer of this article for this outstanding web content
"
}
["summary"]=>
string(691) "Several videos from the filming of The Expendables 4 put the focus on Jason Statham’s knife-wielding mercenary. A pair of set videos from the filming of upcoming action sequel The Expendables 4 tease Jason Statham’s central role, as well as giving us a glimpse of what’s sure to be a thrilling battle between Statham and ... Read more"
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Several videos from the filming of The Expendables 4 put the focus on Jason Statham’s knife-wielding mercenary.
A pair of set videos from the filming of upcoming action sequel The Expendables 4 tease Jason Statham’s central role, as well as giving us a glimpse of what’s sure to be a thrilling battle between Statham and fellow action superstar Iko Uwais. The actor is shown wielding his character’s signature knives as he aggressively dispatches with nameless henchmen during filming before becoming all smiles when the cameras stop rolling.
The brief look at Jason Statham versus Iko Uwais is the real highlight though, as both actors try their best to land a punch in what will no doubt be the highlight of the movie. Despite it being a mere glimpse, it’s surely more than enough to have the hearts of many an action movie fan racing. The second clip again shows Statham on set, this time manning a large machine gun during one of the movie’s many car chases.
MOVIEWEB VIDEO OF THE DAY
Directed by Scott Waugh, the plot of The Expendables 4 is being kept a mystery for now, though we do know that Jason Statham will reunite with Sylvester Stallone, with the pair expected to be joined by many familiar faces including Randy Couture, Dolph Lundgren, and Terry Crews. The fourth outing will also introduce several new faces, with the likes of 50 Cent, Megan Fox, and martial arts masters Tony Jaa and Iko Uwais due to enter the action-packed fray. Andy Garcia has also been recruited to The Expendables‘ latest mission with the Academy Award nominated actor reportedly signing on to play a CIA agent assigned to accompany the team on their latest mission, which will no doubt lead to much bloodshed and explosions in the name of justice and a worthy payday.
It has also since been revealed that Hollywood icon Sylvester Stallone will only have a small role in The Expendables 4, with the actor stepping away from the franchise to make way for Jason Statham’s character Lee Christmas to take the lead. “This will be my last day,” Stallone said in a recent Instagram post from the set of the sequel. “I’m enjoying it, but it’s always bittersweet when something you’ve been so attached to – I guess since, well now it’s been about 12 years – and ready to pass the baton on to Jason in his capable hands.”
Iko Uwais meanwhile, who wonderfully demonstrated his penchant for punching and kicking people to death in the visual poetry that is The Raid and its sequel The Raid 2, will play the villain opposite Statham’s knife-wielding mercenary and the rest of The Expendables. Uwais is set to star as a former military officer with his own army and a side-line in arms dealing, something which the titular team will be hoping to put an end to in the only way they know how…by killing everyone.
The last audiences saw The Expendables was in 2014’s critically maligned The Expendables 3, so here’s hoping that the fourth outing will live up to the promise of no-nonsense 80s action flicks. It certainly has the ingredients in place to do so. The Expendables 4 is scheduled to be released in 2022 by Lionsgate. These clips come to us courtesy of Jason Statham’s official Instagram account.
Joseph Morgan and Other New Villains Join Cast of Titans Season 4
Joseph Morgan has been cast as Brother Blood. He will be joined by Franka Potente as Mother Mayhem and Lisa Ambalavanar as Jinx.
Read Next
About The Author
Jonathan Fuge (2947 Articles Published)
Film Fanatic. Movie Maniac. Asserting his opinion wherever he goes, whether it is warranted or not. Writing for www.movieweb.com since 2019. Follow me @ https://twitter.com/FugitiveJon.
More
From Jonathan Fuge
We want to give thanks to the writer of this article for this outstanding web content
"
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}
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["title"]=>
string(131) "Earning money in a nature-inclusive way – is it possible? Yes, thinks former lecturer and consultant Harry van Delft – Foodlog"
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string(166) "https://bestmoviestoday.movs.world/lifestyle/earning-money-in-a-nature-inclusive-way-is-it-possible-yes-thinks-former-lecturer-and-consultant-harry-van-delft-foodlog/"
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string(10) "Holly June"
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string(849) "Can you survive economically as a ‘nature-inclusive’ farmer if you also want to save the earth? I think you can! But then we have to do a few things differently. Starting points for me are (1) that consumers or citizens naturally want to do good, (2) that farmers should seek smart partnerships, (3) that ‘the ... Read more"
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Can you survive economically as a ‘nature-inclusive’ farmer if you also want to save the earth? I think you can! But then we have to do a few things differently. Starting points for me are (1) that consumers or citizens naturally want to do good, (2) that farmers should seek smart partnerships, (3) that ‘the sustainable story’ should be communicated more transparently, simpler and more attractively, and (4) that the Earth can no longer wait for action from all stakeholders, including government. I will explain.
Focus on price In his book Most people are good Rutger Bregman describes that people naturally want to do good. Not only for themselves but also for the environment in which they live. And what about consumers? Consumers also want to do good – is my position – as long as the offer is in order and offers more than just a sustainability promise. From food marketing, we know that consumers select on a combination of taste, convenience, health, sustainability and, of course, price. And it is precisely this focus on price that seems to form the biggest barrier to more sustainable purchasing behaviour.
The story of ‘C’est Qui, Le Patron?’ proves that a fairer and more sustainable food system is possible. Not through expensive marketing campaigns (although they often work), but by involving consumers in decisions, by being transparent and giving co-ownership and responsibility
An article van the FoodCabinet from 2020 says the following about this: ”(…) how often is it said that the behavior of the average consumer deviates so much from his ideals as a citizen? Humans seem to have evolved from hunter-gatherer to “bargain hunter (…).” What is the cause of that? Is that due to the nature of people or to the environment in which that consumer finds himself, which is overloaded with offers, price incentives and a wide range of unsustainable and unhealthy products? Hans Dagevos, consumption sociologist at Wageningen University, says: “Overestimation of the price factor seems to keep pace with the underestimation of other principles that partly determine the food choices consumers make. As long as retailers and other providers do not take these other factors seriously, they will not be able to play a decisive role in consumer choices.”
The question is therefore how we ensure that consumers make choices in which values such as health and sustainability play a greater role. That question was central to the report published in July 2020 Changing food consumption. Building blocks for policy to stimulate sustainable eating patterns of the Netherlands Environmental Assessment Agency. The researchers conclude: ‘Food routines are designed by consumers and by other actors, such as food companies, retailers, social organizations, food influencers and governments.’ The report concludes that changing food routines requires a collective effort: consumers cannot do it alone.
Collaboration Changing behavior – in this case – to a much more sustainable purchasing and consumption behavior therefore requires cooperation. Cooperation between farmers, farmers with retailers and farmers with consumers. Our Market is a good example of the latter. An initiative of the French entrepreneur Nicolas Chabane, who in 2016 let consumers participate in the decision-making process about the price and quality of food products. He wanted to do something about the plight of many dairy farmers and realize a fairer price. To this end, he conducted a large online survey and had consumers vote. There was a massive response and voting for a fair price for the farmer.
A new brand C’est Qui, Le Patron? (who’s in charge?) was introduced and with resounding success. Major food retailers in France now carry a range of 30 different products (from milk, butter to potatoes). The story of ‘C’est Qui, Le Patron?’ proves that a fairer and more sustainable food system is possible. Not through expensive marketing campaigns (although they often work), but by involving consumers in decisions, by being transparent and giving them co-ownership and responsibility.
offer The cooperation I advocate is mainly necessary to increase the supply of sustainable products. Because our buying behavior is very strongly influenced by the products we are offered. Many researchers agree on this. Also take a look at one Youtube video in which Sebastiaan Aalst explains in great detail that more than 70% of the current food supply consists of non-sustainable products and what the effect is on our consumption behaviour. Aalst concludes that the current situation is not sustainable. But how do we turn the ship? Due to a reduction in VAT on fruit and vegetables? By introducing a sugar tax? Or can true pricing (a price system to provide insight into all hidden costs – such as future damage to people and the environment – and add them to the market price) have an important effect in reducing the (unfair) price incentive for unhealthy and unsustainable products and move towards a price system that is more in line with the values we hold as a society? In a interview of July 2021 for Change.inc, Drees Peter van den Bosch, director of Hutten Catering, explains that True Pricing does not wishfull thinking is more, but the harsh reality of today and tomorrow. Hutten is already applying it!
I come to 4 action points. (1) The government will adjust regulations in favor of nature and our health and actively support ‘nature-inclusive/organic agriculture’. (2) Food producers and food retailers will use innovations to translate sustainability into a more attractive range, replace non-sustainable products and pay farmers better. (3) Chain collaboration will make market propositions stronger and (4) we will entice consumers to adopt new behaviour
Temptation
And temptation? Is the story of ‘nature-inclusive agriculture’ being communicated attractively? I am not familiar with all (national and international) concepts. There will certainly be very good examples who have packaged their story in a simple, transparent and attractive way. In my opinion, most providers can improve the way in which they communicate with customers (food retailers, out-of-home, consumers, etc.). The question is therefore whether the concept of ‘nature-inclusive agriculture’ is strong enough to appeal to large groups of consumers. Or will it remain a niche that is unable to help us achieve our climate goals? Few sustainable market concepts have been successfully introduced that focus solely on sustainability. In order to successfully market ‘nature-inclusive agriculture’, values such as ‘taste, convenience and health’ must therefore become more dominant in the market concept. That is the only route to success. This is possible, but requires a lot of time and investment.
Beauty & the Beast Another option is to switch to ‘organic farming’ as an entrepreneur in ‘nature-inclusive agriculture’. The sustainability principles of the two agricultural concepts are very similar, while the market opportunities for ‘organic’ are much, much greater. In other words: without letting go of your sustainability goals, you increase the chance of operating your company profitably.
Consumers like to contribute to a better world, a better future. But also want to enjoy, convenience, health. Three important ‘g’s’ that are indispensable to appeal to a broad group of consumers. Look at Tesla’s success and compare it to the Toyota Prius. The beauty and the beast? The (ugly) Prius only appeals to a limited group of ‘sustainability consumers’. With its concept (beautiful styling and appearance, luxury, convenience, etc.) Tesla is attractive to both business drivers and private drivers across the entire spectrum of society.
Successfully marketing sustainable agriculture requires an approach that appeals to large groups of consumers. Nature-inclusive agriculture, by transforming itself into ‘beauty’ – organic farming – would do itself and the sustainability goals a great service.
Professional and with ambition Marketing sustainable agriculture is possible. It’s possible. To do this, something has to change in the current approach. I come to 4 action points. (1) The government will adjust regulations in favor of nature and our health and actively support ‘nature-inclusive/organic agriculture’. (2) Food producers and food retailers will use innovations to translate sustainability into a more attractive range, replace non-sustainable products and pay farmers better. (3) Chain collaboration will make market propositions stronger and (4) we will entice consumers into new behavior through promotional communication. If this is used professionally and with ambition, it will bear fruit. Continuing on the current footing is not an option. We cannot feed the 10 billion people in 2050 and the generations after that. Sustainable agriculture is possible. Let’s start today!
In a series of 6 articles, four (former) lecturers from HAS University of Applied Sciences, 1 professor from Wageningen University and 1 HAS alumnus (winner of the HAS Foodmanship award and member of Food100) are looking for opinion-driven answers to the question of whether nature-inclusive agriculture can be profitable. are. Read part 1 of the series of articles ‘Nature-inclusive agriculture & the consumer: an unfortunate combination’.
Harry van Delft is an optimist and marketer. He has his own consultancy firm: Harry van Delft Food Business. Between 2011-2019 he was a lecturer in Agrofood Marketing at HAS University of Applied Sciences. He was also closely involved in the establishment of BOON Food Concepts.
We would love to give thanks to the writer of this short article for this awesome web content
"
}
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string(849) "Can you survive economically as a ‘nature-inclusive’ farmer if you also want to save the earth? I think you can! But then we have to do a few things differently. Starting points for me are (1) that consumers or citizens naturally want to do good, (2) that farmers should seek smart partnerships, (3) that ‘the ... Read more"
["atom_content"]=>
string(11801) "
Can you survive economically as a ‘nature-inclusive’ farmer if you also want to save the earth? I think you can! But then we have to do a few things differently. Starting points for me are (1) that consumers or citizens naturally want to do good, (2) that farmers should seek smart partnerships, (3) that ‘the sustainable story’ should be communicated more transparently, simpler and more attractively, and (4) that the Earth can no longer wait for action from all stakeholders, including government. I will explain.
Focus on price In his book Most people are good Rutger Bregman describes that people naturally want to do good. Not only for themselves but also for the environment in which they live. And what about consumers? Consumers also want to do good – is my position – as long as the offer is in order and offers more than just a sustainability promise. From food marketing, we know that consumers select on a combination of taste, convenience, health, sustainability and, of course, price. And it is precisely this focus on price that seems to form the biggest barrier to more sustainable purchasing behaviour.
The story of ‘C’est Qui, Le Patron?’ proves that a fairer and more sustainable food system is possible. Not through expensive marketing campaigns (although they often work), but by involving consumers in decisions, by being transparent and giving co-ownership and responsibility
An article van the FoodCabinet from 2020 says the following about this: ”(…) how often is it said that the behavior of the average consumer deviates so much from his ideals as a citizen? Humans seem to have evolved from hunter-gatherer to “bargain hunter (…).” What is the cause of that? Is that due to the nature of people or to the environment in which that consumer finds himself, which is overloaded with offers, price incentives and a wide range of unsustainable and unhealthy products? Hans Dagevos, consumption sociologist at Wageningen University, says: “Overestimation of the price factor seems to keep pace with the underestimation of other principles that partly determine the food choices consumers make. As long as retailers and other providers do not take these other factors seriously, they will not be able to play a decisive role in consumer choices.”
The question is therefore how we ensure that consumers make choices in which values such as health and sustainability play a greater role. That question was central to the report published in July 2020 Changing food consumption. Building blocks for policy to stimulate sustainable eating patterns of the Netherlands Environmental Assessment Agency. The researchers conclude: ‘Food routines are designed by consumers and by other actors, such as food companies, retailers, social organizations, food influencers and governments.’ The report concludes that changing food routines requires a collective effort: consumers cannot do it alone.
Collaboration Changing behavior – in this case – to a much more sustainable purchasing and consumption behavior therefore requires cooperation. Cooperation between farmers, farmers with retailers and farmers with consumers. Our Market is a good example of the latter. An initiative of the French entrepreneur Nicolas Chabane, who in 2016 let consumers participate in the decision-making process about the price and quality of food products. He wanted to do something about the plight of many dairy farmers and realize a fairer price. To this end, he conducted a large online survey and had consumers vote. There was a massive response and voting for a fair price for the farmer.
A new brand C’est Qui, Le Patron? (who’s in charge?) was introduced and with resounding success. Major food retailers in France now carry a range of 30 different products (from milk, butter to potatoes). The story of ‘C’est Qui, Le Patron?’ proves that a fairer and more sustainable food system is possible. Not through expensive marketing campaigns (although they often work), but by involving consumers in decisions, by being transparent and giving them co-ownership and responsibility.
offer The cooperation I advocate is mainly necessary to increase the supply of sustainable products. Because our buying behavior is very strongly influenced by the products we are offered. Many researchers agree on this. Also take a look at one Youtube video in which Sebastiaan Aalst explains in great detail that more than 70% of the current food supply consists of non-sustainable products and what the effect is on our consumption behaviour. Aalst concludes that the current situation is not sustainable. But how do we turn the ship? Due to a reduction in VAT on fruit and vegetables? By introducing a sugar tax? Or can true pricing (a price system to provide insight into all hidden costs – such as future damage to people and the environment – and add them to the market price) have an important effect in reducing the (unfair) price incentive for unhealthy and unsustainable products and move towards a price system that is more in line with the values we hold as a society? In a interview of July 2021 for Change.inc, Drees Peter van den Bosch, director of Hutten Catering, explains that True Pricing does not wishfull thinking is more, but the harsh reality of today and tomorrow. Hutten is already applying it!
I come to 4 action points. (1) The government will adjust regulations in favor of nature and our health and actively support ‘nature-inclusive/organic agriculture’. (2) Food producers and food retailers will use innovations to translate sustainability into a more attractive range, replace non-sustainable products and pay farmers better. (3) Chain collaboration will make market propositions stronger and (4) we will entice consumers to adopt new behaviour
Temptation
And temptation? Is the story of ‘nature-inclusive agriculture’ being communicated attractively? I am not familiar with all (national and international) concepts. There will certainly be very good examples who have packaged their story in a simple, transparent and attractive way. In my opinion, most providers can improve the way in which they communicate with customers (food retailers, out-of-home, consumers, etc.). The question is therefore whether the concept of ‘nature-inclusive agriculture’ is strong enough to appeal to large groups of consumers. Or will it remain a niche that is unable to help us achieve our climate goals? Few sustainable market concepts have been successfully introduced that focus solely on sustainability. In order to successfully market ‘nature-inclusive agriculture’, values such as ‘taste, convenience and health’ must therefore become more dominant in the market concept. That is the only route to success. This is possible, but requires a lot of time and investment.
Beauty & the Beast Another option is to switch to ‘organic farming’ as an entrepreneur in ‘nature-inclusive agriculture’. The sustainability principles of the two agricultural concepts are very similar, while the market opportunities for ‘organic’ are much, much greater. In other words: without letting go of your sustainability goals, you increase the chance of operating your company profitably.
Consumers like to contribute to a better world, a better future. But also want to enjoy, convenience, health. Three important ‘g’s’ that are indispensable to appeal to a broad group of consumers. Look at Tesla’s success and compare it to the Toyota Prius. The beauty and the beast? The (ugly) Prius only appeals to a limited group of ‘sustainability consumers’. With its concept (beautiful styling and appearance, luxury, convenience, etc.) Tesla is attractive to both business drivers and private drivers across the entire spectrum of society.
Successfully marketing sustainable agriculture requires an approach that appeals to large groups of consumers. Nature-inclusive agriculture, by transforming itself into ‘beauty’ – organic farming – would do itself and the sustainability goals a great service.
Professional and with ambition Marketing sustainable agriculture is possible. It’s possible. To do this, something has to change in the current approach. I come to 4 action points. (1) The government will adjust regulations in favor of nature and our health and actively support ‘nature-inclusive/organic agriculture’. (2) Food producers and food retailers will use innovations to translate sustainability into a more attractive range, replace non-sustainable products and pay farmers better. (3) Chain collaboration will make market propositions stronger and (4) we will entice consumers into new behavior through promotional communication. If this is used professionally and with ambition, it will bear fruit. Continuing on the current footing is not an option. We cannot feed the 10 billion people in 2050 and the generations after that. Sustainable agriculture is possible. Let’s start today!
In a series of 6 articles, four (former) lecturers from HAS University of Applied Sciences, 1 professor from Wageningen University and 1 HAS alumnus (winner of the HAS Foodmanship award and member of Food100) are looking for opinion-driven answers to the question of whether nature-inclusive agriculture can be profitable. are. Read part 1 of the series of articles ‘Nature-inclusive agriculture & the consumer: an unfortunate combination’.
Harry van Delft is an optimist and marketer. He has his own consultancy firm: Harry van Delft Food Business. Between 2011-2019 he was a lecturer in Agrofood Marketing at HAS University of Applied Sciences. He was also closely involved in the establishment of BOON Food Concepts.
We would love to give thanks to the writer of this short article for this awesome web content
"
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int(1643871959)
}
[4]=>
array(11) {
["title"]=>
string(118) "Not Accepting Gaga Muhammad Imprisoned, Mother: She Wasn’t the One Who Takes Laura Anna’s Life : Okezone Celebrity"
["link"]=>
string(150) "https://bestmoviestoday.movs.world/shows/not-accepting-gaga-muhammad-imprisoned-mother-she-wasnt-the-one-who-takes-laura-annas-life-okezone-celebrity/"
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string(10) "Debby Kent"
}
["pubdate"]=>
string(31) "Thu, 03 Feb 2022 07:03:16 +0000"
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string(77) "ShowsAcceptingAnnasCelebrityGagaImprisonedLauraLifemotherMuhammadOkezoneTakes"
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string(807) "JAKARTA – Gaga Muhammad | has filed an appeal against the sentence of 4 years and 6 months in prison that he received, on January 19, 2022. The appeal was registered by his attorney, Fahmi Bachmid at the East Jakarta District Court, on January 24 last. Despite the family’s efforts to obtain leniency for Gaga, ... Read more"
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JAKARTA – Gaga Muhammad | has filed an appeal against the sentence of 4 years and 6 months in prison that he received, on January 19, 2022. The appeal was registered by his attorney, Fahmi Bachmid at the East Jakarta District Court, on January 24 last.
Despite the family’s efforts to obtain leniency for Gaga, Janariyah’s mother asked the public not to blame her son as the cause of Laura Anna’s death.
“I want everyone out there to realize that Laura Anna’s death was not because my son took his life,” Janariyah said in her statement as quoted from iNewsTV, on Thursday (3/2/2022).
Janariyah revealed, everything that happened to Laura Anna was purely a disaster. He even said, no one wants to experience a disaster, let alone an accident. The words of Gaga Muhammad’s mother drew criticism from netizens.
“Why are you talking like that? So, do you think about Laura’s family? Yes, it is not the mother’s child who took Laura’s life. But, the mother’s child is one of the causes of Laura’s death,” said one netizen.
Another added, “The other case was demanded 12 years in prison, there was no appeal, he was sincere about it. Parents also submit their child’s case to the authorities. Is this? Getting 4.5 years is still a mess that doesn’t exist anymore. If you make a mistake, you have to be responsible for it.”
Laura Anna died on December 15, 2021. For 2 years, she was paralyzed due to an accident she and Gaga Muhammad experienced in December 2019.*
We want to say thanks to the writer of this article for this amazing web content
"
}
["summary"]=>
string(807) "JAKARTA – Gaga Muhammad | has filed an appeal against the sentence of 4 years and 6 months in prison that he received, on January 19, 2022. The appeal was registered by his attorney, Fahmi Bachmid at the East Jakarta District Court, on January 24 last. Despite the family’s efforts to obtain leniency for Gaga, ... Read more"
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string(3640) "
JAKARTA – Gaga Muhammad | has filed an appeal against the sentence of 4 years and 6 months in prison that he received, on January 19, 2022. The appeal was registered by his attorney, Fahmi Bachmid at the East Jakarta District Court, on January 24 last.
Despite the family’s efforts to obtain leniency for Gaga, Janariyah’s mother asked the public not to blame her son as the cause of Laura Anna’s death.
“I want everyone out there to realize that Laura Anna’s death was not because my son took his life,” Janariyah said in her statement as quoted from iNewsTV, on Thursday (3/2/2022).
Janariyah revealed, everything that happened to Laura Anna was purely a disaster. He even said, no one wants to experience a disaster, let alone an accident. The words of Gaga Muhammad’s mother drew criticism from netizens.
“Why are you talking like that? So, do you think about Laura’s family? Yes, it is not the mother’s child who took Laura’s life. But, the mother’s child is one of the causes of Laura’s death,” said one netizen.
Another added, “The other case was demanded 12 years in prison, there was no appeal, he was sincere about it. Parents also submit their child’s case to the authorities. Is this? Getting 4.5 years is still a mess that doesn’t exist anymore. If you make a mistake, you have to be responsible for it.”
Laura Anna died on December 15, 2021. For 2 years, she was paralyzed due to an accident she and Gaga Muhammad experienced in December 2019.*
We want to say thanks to the writer of this article for this amazing web content
"
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["title"]=>
string(54) "Ten millennia of hepatitis B virus evolution described"
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string(107) "https://bestmoviestoday.movs.world/healthandscience/ten-millennia-of-hepatitis-b-virus-evolution-described/"
["dc"]=>
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string(12) "Tony Grantly"
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["pubdate"]=>
string(31) "Thu, 03 Feb 2022 07:00:24 +0000"
["category"]=>
string(50) "Health And Scienceevolutionhepatitismillenniavirus"
["guid"]=>
string(43) "https://bestmoviestoday.movs.world/?p=23860"
["description"]=>
string(669) "Journal Reference: Arthur Kocher et al. Ten millennia of hepatitis B virus evolution. Science, 2021 DOI: 10.1126/science.abi5658 HBV and the peopling of the Americas Present-day HBV strains are classified into nine genotypes, two of which are found predominantly in populations of Native American ancestry. The study provides strong evidence that these strains descend from an ... Read more"
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Journal Reference:
Arthur Kocher et al. Ten millennia of hepatitis B virus evolution. Science, 2021 DOI: 10.1126/science.abi5658
HBV and the peopling of the Americas
Present-day HBV strains are classified into nine genotypes, two of which are found predominantly in populations of Native American ancestry. The study provides strong evidence that these strains descend from an HBV lineage that diverged around the end of the Pleistocene and was carried by some of the first inhabitants of the Americas.
“Our data suggest that all known HBV genotypes descend from a strain that was infecting the ancestors of the First Americans and their closest Eurasian relatives around the time these populations diverged,” says Denise Kühnert, leader of the tide research group and supervisor of the study.
HBV in prehistoric Europe
The study also shows that the virus was present in large parts of Europe as early as 10,000 years ago, before the spread of agriculture to the continent.
“Many human pathogens are thought to have emerged after the introduction of agriculture, but HBV was clearly already affecting prehistoric hunter-gatherer populations,” says Johannes Krause, director of the Department of Archaeogenetics at the Max Planck Institute for Evolutionary Anthropology and co-supervisor of the study.
After the Neolithic transition in Europe, the HBV strains carried by hunter-gatherers were replaced by new strains that were likely spread by the continent’s first farmers, mirroring the large genetic influx associated with the expansion of farming groups across the region. These new viral lineages continued to prevail throughout western Eurasia for close to 4,000 years. The dominance of these strains lasted through the expansion of Western Steppe Herders around 5,000 years ago, which dramatically altered the genetic profile of Europeans but remarkably was not associated with the spread of new HBV variants.
The collapse and re-emergence of pre-historic HBV
One of the most surprising findings of the study is a sudden decline of HBV diversity in western Eurasia during the second half of the 2nd millennium BCE, a time of major cultural shifts, including the collapse of large Bronze Age state societies in the eastern Mediterranean region.
“This could point to important changes in epidemiological dynamics over a very large region during this period, but we will need more research to understand what happened,” says Arthur Kocher, lead author and researcher in the tide group.
All ancient HBV strains recovered in western Eurasia after this period belonged to new viral lineages that still prevail in the region today. However, it appears that one variant related to the previous pre-historic diversity of the region has persisted to the present. This prehistoric variant has evolved into a rare genotype that seems to have emerged recently during the HIV pandemic, for reasons that remain to be understood.
We want to give thanks to the writer of this article for this remarkable material
"
}
["summary"]=>
string(669) "Journal Reference: Arthur Kocher et al. Ten millennia of hepatitis B virus evolution. Science, 2021 DOI: 10.1126/science.abi5658 HBV and the peopling of the Americas Present-day HBV strains are classified into nine genotypes, two of which are found predominantly in populations of Native American ancestry. The study provides strong evidence that these strains descend from an ... Read more"
["atom_content"]=>
string(3743) "
Journal Reference:
Arthur Kocher et al. Ten millennia of hepatitis B virus evolution. Science, 2021 DOI: 10.1126/science.abi5658
HBV and the peopling of the Americas
Present-day HBV strains are classified into nine genotypes, two of which are found predominantly in populations of Native American ancestry. The study provides strong evidence that these strains descend from an HBV lineage that diverged around the end of the Pleistocene and was carried by some of the first inhabitants of the Americas.
“Our data suggest that all known HBV genotypes descend from a strain that was infecting the ancestors of the First Americans and their closest Eurasian relatives around the time these populations diverged,” says Denise Kühnert, leader of the tide research group and supervisor of the study.
HBV in prehistoric Europe
The study also shows that the virus was present in large parts of Europe as early as 10,000 years ago, before the spread of agriculture to the continent.
“Many human pathogens are thought to have emerged after the introduction of agriculture, but HBV was clearly already affecting prehistoric hunter-gatherer populations,” says Johannes Krause, director of the Department of Archaeogenetics at the Max Planck Institute for Evolutionary Anthropology and co-supervisor of the study.
After the Neolithic transition in Europe, the HBV strains carried by hunter-gatherers were replaced by new strains that were likely spread by the continent’s first farmers, mirroring the large genetic influx associated with the expansion of farming groups across the region. These new viral lineages continued to prevail throughout western Eurasia for close to 4,000 years. The dominance of these strains lasted through the expansion of Western Steppe Herders around 5,000 years ago, which dramatically altered the genetic profile of Europeans but remarkably was not associated with the spread of new HBV variants.
The collapse and re-emergence of pre-historic HBV
One of the most surprising findings of the study is a sudden decline of HBV diversity in western Eurasia during the second half of the 2nd millennium BCE, a time of major cultural shifts, including the collapse of large Bronze Age state societies in the eastern Mediterranean region.
“This could point to important changes in epidemiological dynamics over a very large region during this period, but we will need more research to understand what happened,” says Arthur Kocher, lead author and researcher in the tide group.
All ancient HBV strains recovered in western Eurasia after this period belonged to new viral lineages that still prevail in the region today. However, it appears that one variant related to the previous pre-historic diversity of the region has persisted to the present. This prehistoric variant has evolved into a rare genotype that seems to have emerged recently during the HIV pandemic, for reasons that remain to be understood.
We want to give thanks to the writer of this article for this remarkable material
"
["date_timestamp"]=>
int(1643871624)
}
[6]=>
array(11) {
["title"]=>
string(87) "DH Exclusive | There’s something gripping about darker characters: Jackie Earle Haley"
["link"]=>
string(130) "https://bestmoviestoday.movs.world/movie-actors/dh-exclusive-theres-something-gripping-about-darker-characters-jackie-earle-haley/"
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string(10) "Tom Pauler"
}
["pubdate"]=>
string(31) "Thu, 03 Feb 2022 06:26:26 +0000"
["category"]=>
string(61) "Movie ActorscharactersdarkerEarleExclusiveGrippingHaleyJackie"
["guid"]=>
string(43) "https://bestmoviestoday.movs.world/?p=23854"
["description"]=>
string(693) "Hollywood actor Jackie Earle Haley was born in Los Angeles and spent the better part of his growing up years there. He began acting when he was five years old and has come a long way since. He is remembered for the iconic characters that he has played like Rorschach in Watchmen, Ronald in the ... Read more"
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Hollywood actor Jackie Earle Haley was born in Los Angeles and spent the better part of his growing up years there. He began acting when he was five years old and has come a long way since. He is remembered for the iconic characters that he has played like Rorschach in Watchmen, Ronald in the Oscar-nominated film Little Children and Freddy Krueger in 2010’s A Nightmare on Elm Street. His television shows and web series are no less entertaining. The legendary actor turns 59 on July 14 and Sony Pix is celebrating Jackie’s birthday by screening Little Children. In an exclusive interview with Deccan Herald, Jackie takes us through his early years and talks about his best films.
What drew you to acting?
When I was five years old, my father was an actor and he was also a talk show radio host. Some friends were trying to cast the part of Dennis the Menace for cartoons and Dairy Queen commercials. And out of thousands of kids, they were looking in Los Angeles, New York and Chicago and couldn’t find anybody. So, my father put me on tape and I ended up winning that part. And with my father being an actor, he was excited that I got the part. He got me an agent and I started going to auditions and I’ve been working pretty much ever since. I learned my craft on the set as opposed to learning it in schools.
Rorschach in Watchmen is by far the best role. Which is your favourite?
Rorschach from Watchmen was an incredibly fun character to get to play and it was a seminal comic book movie. Little Children was a complex and nuanced script. The director is amazing, you know, Kate Winslet and Patrick Wilson, awesome actors getting to play that character, Ronnie McCorvey, it was a daunting and challenging character to play. And that part relaunched me back into acting. When I worked on Lincoln, that was a really interesting part, although it was much smaller. But I got to work with Steven Spielberg, and I’ve been a huge fan of him forever. Freddy Krueger is perhaps one of the most famous fictional characters to ever exist. So that was a great experience too.
Dark characters fascinate you. Why?
There’s something about the dark characters that usually jump off the page. There are just so many different types of characters, in movies and on television that sometimes the characters are just kind of there. Usually, dark characters or unhinged characters seem to have a way of jumping off the page, they seem to have a way of being more integral to the story that’s being told. And then in a lot of ways, they help find the hero of the story through the juxtaposition of your hero to the dark characters that are in the script. It helps to define the hero that we’re all rooting for and watching and, it also helps to round out a story. There’s something that is gripping about darker characters.
Do you choose a script based on its subject, your character or do you look at it from the audience perspective?
I like all genres, whether it’s completely fiction or dealing with the social issues that need to get out there. For me, what’s really important is that the script is well written and it’s complex, nuanced and engaging. It’s important that the character itself has a beginning, middle and an end and that the character is developed well. It’s also important to know who’s directing, what their capabilities are and how long they’ve been doing it.
Is there a film that you wish you hadn’t done?
There isn’t any film that I wish I had not done. Sometimes, I do look back at several projects that I kind of wish I should have said yes to which I had passed on. There are definitely a few things that I wished I had done. But in terms of the projects that I’ve worked on, I think I’ve had a real blast and happy to have been a part of them.
What type of content sells in show business today?
The scripts have got better and the spectacles are amazing to watch. Television has come a long way in terms of scripts and being able to pick up where movies are leaving off. We’re seeing a lot of complex and nuanced television shows that have incredible content, scripts and great direction. And I think slowly over the years, we’re seeing that cinema and television have morphed into one. I love watching movies at home, I love streaming services that are playing original content as well as big spectacle movies.
Your television series such as Narcos: Mexico, Human Target, Preacher and Breaking Away did extremely well. How do you like working on web series?
Television has come a long way. We used to watch TV on a little square and it was standard definition, so, the resolution was really low. And the writing was very formulaic so that it would be pleasing to everybody. The more complex content was in the theatres, but nowadays, it’s 4K television with high definition. Our television sets are now looking like a movie theatre screen along with all the new streaming devices. So, the writing, cinematography, and the sound and everything has reached cinematic levels. Now, whether you’re watching a television show or you’re watching a movie, you’re getting a cinematic experience. And some of the shows that you’ve mentioned, like Narcos and Human Target was a fun show, but I’m pretty sure it was incredibly well-written with well-thought-out plots. Television series offer great concepts, it’s a fun arena to work in and very creative too.
How has the pandemic changed the way films are shot?
Well, I think we’re slowly starting to come back now. Obviously, there’s going to be some content that’s being driven by doing zoom meetings and somehow turning that into the content. But I think, right now, as things slowly start to open up, they’re going to create some safety measures for production. And I think that’s going to have to do with isolating and quarantining people when you get them into an area to shoot and I think we have to separate them for a good couple of weeks and make sure that everybody tests negative for Covid-19. Everybody in America, are all quarantined strictly for a period of time and now we’re at that point where, a lot of people are still kind of safely quarantining, but we’re also trying to safely open up the economy in all areas, but production definitely will be a tricky one. But we’ve got a lot of people in the industry and the Directors Guild and the Screen Actors Guild and the big producers are trying to figure out the smartest and safest way to approach getting back into production because it’s definitely something that we all need. We all need to keep working because we all rely on our energy and on being able to escape and watch the shows that we love.
What are the plans for your birthday?
I don’t have any plans right now, and now you’ve got me thinking about it. We’re still in quarantine here. We’ll probably just have some friends over. We’ve been quarantined for a good three months or so.
We would love to give thanks to the writer of this post for this outstanding web content
"
}
["summary"]=>
string(693) "Hollywood actor Jackie Earle Haley was born in Los Angeles and spent the better part of his growing up years there. He began acting when he was five years old and has come a long way since. He is remembered for the iconic characters that he has played like Rorschach in Watchmen, Ronald in the ... Read more"
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string(8144) "
Hollywood actor Jackie Earle Haley was born in Los Angeles and spent the better part of his growing up years there. He began acting when he was five years old and has come a long way since. He is remembered for the iconic characters that he has played like Rorschach in Watchmen, Ronald in the Oscar-nominated film Little Children and Freddy Krueger in 2010’s A Nightmare on Elm Street. His television shows and web series are no less entertaining. The legendary actor turns 59 on July 14 and Sony Pix is celebrating Jackie’s birthday by screening Little Children. In an exclusive interview with Deccan Herald, Jackie takes us through his early years and talks about his best films.
What drew you to acting?
When I was five years old, my father was an actor and he was also a talk show radio host. Some friends were trying to cast the part of Dennis the Menace for cartoons and Dairy Queen commercials. And out of thousands of kids, they were looking in Los Angeles, New York and Chicago and couldn’t find anybody. So, my father put me on tape and I ended up winning that part. And with my father being an actor, he was excited that I got the part. He got me an agent and I started going to auditions and I’ve been working pretty much ever since. I learned my craft on the set as opposed to learning it in schools.
Rorschach in Watchmen is by far the best role. Which is your favourite?
Rorschach from Watchmen was an incredibly fun character to get to play and it was a seminal comic book movie. Little Children was a complex and nuanced script. The director is amazing, you know, Kate Winslet and Patrick Wilson, awesome actors getting to play that character, Ronnie McCorvey, it was a daunting and challenging character to play. And that part relaunched me back into acting. When I worked on Lincoln, that was a really interesting part, although it was much smaller. But I got to work with Steven Spielberg, and I’ve been a huge fan of him forever. Freddy Krueger is perhaps one of the most famous fictional characters to ever exist. So that was a great experience too.
Dark characters fascinate you. Why?
There’s something about the dark characters that usually jump off the page. There are just so many different types of characters, in movies and on television that sometimes the characters are just kind of there. Usually, dark characters or unhinged characters seem to have a way of jumping off the page, they seem to have a way of being more integral to the story that’s being told. And then in a lot of ways, they help find the hero of the story through the juxtaposition of your hero to the dark characters that are in the script. It helps to define the hero that we’re all rooting for and watching and, it also helps to round out a story. There’s something that is gripping about darker characters.
Do you choose a script based on its subject, your character or do you look at it from the audience perspective?
I like all genres, whether it’s completely fiction or dealing with the social issues that need to get out there. For me, what’s really important is that the script is well written and it’s complex, nuanced and engaging. It’s important that the character itself has a beginning, middle and an end and that the character is developed well. It’s also important to know who’s directing, what their capabilities are and how long they’ve been doing it.
Is there a film that you wish you hadn’t done?
There isn’t any film that I wish I had not done. Sometimes, I do look back at several projects that I kind of wish I should have said yes to which I had passed on. There are definitely a few things that I wished I had done. But in terms of the projects that I’ve worked on, I think I’ve had a real blast and happy to have been a part of them.
What type of content sells in show business today?
The scripts have got better and the spectacles are amazing to watch. Television has come a long way in terms of scripts and being able to pick up where movies are leaving off. We’re seeing a lot of complex and nuanced television shows that have incredible content, scripts and great direction. And I think slowly over the years, we’re seeing that cinema and television have morphed into one. I love watching movies at home, I love streaming services that are playing original content as well as big spectacle movies.
Your television series such as Narcos: Mexico, Human Target, Preacher and Breaking Away did extremely well. How do you like working on web series?
Television has come a long way. We used to watch TV on a little square and it was standard definition, so, the resolution was really low. And the writing was very formulaic so that it would be pleasing to everybody. The more complex content was in the theatres, but nowadays, it’s 4K television with high definition. Our television sets are now looking like a movie theatre screen along with all the new streaming devices. So, the writing, cinematography, and the sound and everything has reached cinematic levels. Now, whether you’re watching a television show or you’re watching a movie, you’re getting a cinematic experience. And some of the shows that you’ve mentioned, like Narcos and Human Target was a fun show, but I’m pretty sure it was incredibly well-written with well-thought-out plots. Television series offer great concepts, it’s a fun arena to work in and very creative too.
How has the pandemic changed the way films are shot?
Well, I think we’re slowly starting to come back now. Obviously, there’s going to be some content that’s being driven by doing zoom meetings and somehow turning that into the content. But I think, right now, as things slowly start to open up, they’re going to create some safety measures for production. And I think that’s going to have to do with isolating and quarantining people when you get them into an area to shoot and I think we have to separate them for a good couple of weeks and make sure that everybody tests negative for Covid-19. Everybody in America, are all quarantined strictly for a period of time and now we’re at that point where, a lot of people are still kind of safely quarantining, but we’re also trying to safely open up the economy in all areas, but production definitely will be a tricky one. But we’ve got a lot of people in the industry and the Directors Guild and the Screen Actors Guild and the big producers are trying to figure out the smartest and safest way to approach getting back into production because it’s definitely something that we all need. We all need to keep working because we all rely on our energy and on being able to escape and watch the shows that we love.
What are the plans for your birthday?
I don’t have any plans right now, and now you’ve got me thinking about it. We’re still in quarantine here. We’ll probably just have some friends over. We’ve been quarantined for a good three months or so.
We would love to give thanks to the writer of this post for this outstanding web content
"
["date_timestamp"]=>
int(1643869586)
}
[7]=>
array(11) {
["title"]=>
string(84) "Could John Wick Get A Spinoff With Halle Berry’s Character? Here’s What She Says"
["link"]=>
string(126) "https://bestmoviestoday.movs.world/movie-actors/could-john-wick-get-a-spinoff-with-halle-berrys-character-heres-what-she-says/"
["dc"]=>
array(1) {
["creator"]=>
string(9) "Blue Holt"
}
["pubdate"]=>
string(31) "Thu, 03 Feb 2022 06:08:35 +0000"
["category"]=>
string(47) "Movie ActorsBerrysCharacterHalleJohnSpinoffWick"
["guid"]=>
string(43) "https://bestmoviestoday.movs.world/?p=23848"
["description"]=>
string(699) "During the events of John Wick: Chapter 3 – Parabellum, Keanu Reeves’ title protagonist reunited with Halle Berry’s Sofia, a former friend who was not excited to have him back in her life. The two managed to overcome their differences for the sake of survival, and while Sofia eventually left John, it seemed like the ... Read more"
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During the events of John Wick: Chapter 3 – Parabellum, Keanu Reeves’ title protagonist reunited with Halle Berry’s Sofia, a former friend who was not excited to have him back in her life. The two managed to overcome their differences for the sake of survival, and while Sofia eventually left John, it seemed like the proverbial door was left open for her to return. As it turns out, Berry has revealed that it’s possible Sofia could get her own spinoff.
While speaking with IGN about her new movie Moonfall, Halle Berry confirmed that she will not reprise Sofia for John Wick: Chapter 4 (which may be subtitled Hagakure). However, the actress did indicate that there’s been discussions about giving the character her own movie, saying:
There could possibly be a Sofia… her own movie. So she might not be in John Wick, but she might be doing her own thingy-thingy.
Halle Berry added that the potential Sofia spinoff for the John Wick film series as “putting some ointment on a little sore.” This is in reference to how her character Jinx in the Pierce Bresnan-led James Bond movie Die Another Day was supposed to get a spinoff, but it was ultimately canceled. To be clear, a Sofia movie hasn’t been officially greenlit, but thanks to Berry’s comments, at least now we know it’s a possibility. Just picture it: Sofia and her dogs taking down bad guys in a self-contained story. Surely a lot of John Wick fans would be keen to see that, right?
If this spinoff does move forward, it’ll be in good company with other projects intended to flesh out the John Wick universe. On the movies front, Ballerina has been in development since 2017, with the story revolving around a young woman who was raised to be an assassin and goes on a mission to exactas revenge on the people who killed her family. No Time to Die’s Ana de Armas was in talks for the main role as of last October.
Then in the TV world, Starz is delivering The Continental, which will naturally revolve around the title hotel chain that’s a safe haven for assassins. The limited series will be set in the 1970s, and the starring players will include younger versions of Winston and Charon, two of the film series’ key characters. The Continental will consist of three 90-minute episodes, with The Book of Eli’s Albert Hughes on deck to direct the first and third episodes.
In the meantime, John Wick: Chapter 4 will keep the main saga going. Specific plot details are still being kept closely guarded, though it will apparently be more High Table-centric. Cast-wise, Chapter 4 will see the return of Laurence Fishburne’s Bowery King, Ian McShane’s Winston and Lance Reddick’s Charon, while the newcomers include Rina Sawayama, Donnie Yen (who’s playing an old friend of John’s), Shamier Anderson, Bill Skarsgård, Hiroyuki Sanada, Scott Adkins, Clancy Brown and Marko Zaror (who’s reportedly playing one of John’s “lead pursuers”).
John Wick: Chapter 4 has been pushed back to March 24, 2023, and John Wick: Chapter 5 is also on the way. Keep your eyes peeled on CinemaBlend for more updates about the John Wick franchise, as well as our coverage on the 2022 movie releases.
We would like to say thanks to the writer of this short article for this remarkable web content
"
}
["summary"]=>
string(699) "During the events of John Wick: Chapter 3 – Parabellum, Keanu Reeves’ title protagonist reunited with Halle Berry’s Sofia, a former friend who was not excited to have him back in her life. The two managed to overcome their differences for the sake of survival, and while Sofia eventually left John, it seemed like the ... Read more"
["atom_content"]=>
string(4324) "
During the events of John Wick: Chapter 3 – Parabellum, Keanu Reeves’ title protagonist reunited with Halle Berry’s Sofia, a former friend who was not excited to have him back in her life. The two managed to overcome their differences for the sake of survival, and while Sofia eventually left John, it seemed like the proverbial door was left open for her to return. As it turns out, Berry has revealed that it’s possible Sofia could get her own spinoff.
While speaking with IGN about her new movie Moonfall, Halle Berry confirmed that she will not reprise Sofia for John Wick: Chapter 4 (which may be subtitled Hagakure). However, the actress did indicate that there’s been discussions about giving the character her own movie, saying:
There could possibly be a Sofia… her own movie. So she might not be in John Wick, but she might be doing her own thingy-thingy.
Halle Berry added that the potential Sofia spinoff for the John Wick film series as “putting some ointment on a little sore.” This is in reference to how her character Jinx in the Pierce Bresnan-led James Bond movie Die Another Day was supposed to get a spinoff, but it was ultimately canceled. To be clear, a Sofia movie hasn’t been officially greenlit, but thanks to Berry’s comments, at least now we know it’s a possibility. Just picture it: Sofia and her dogs taking down bad guys in a self-contained story. Surely a lot of John Wick fans would be keen to see that, right?
If this spinoff does move forward, it’ll be in good company with other projects intended to flesh out the John Wick universe. On the movies front, Ballerina has been in development since 2017, with the story revolving around a young woman who was raised to be an assassin and goes on a mission to exactas revenge on the people who killed her family. No Time to Die’s Ana de Armas was in talks for the main role as of last October.
Then in the TV world, Starz is delivering The Continental, which will naturally revolve around the title hotel chain that’s a safe haven for assassins. The limited series will be set in the 1970s, and the starring players will include younger versions of Winston and Charon, two of the film series’ key characters. The Continental will consist of three 90-minute episodes, with The Book of Eli’s Albert Hughes on deck to direct the first and third episodes.
In the meantime, John Wick: Chapter 4 will keep the main saga going. Specific plot details are still being kept closely guarded, though it will apparently be more High Table-centric. Cast-wise, Chapter 4 will see the return of Laurence Fishburne’s Bowery King, Ian McShane’s Winston and Lance Reddick’s Charon, while the newcomers include Rina Sawayama, Donnie Yen (who’s playing an old friend of John’s), Shamier Anderson, Bill Skarsgård, Hiroyuki Sanada, Scott Adkins, Clancy Brown and Marko Zaror (who’s reportedly playing one of John’s “lead pursuers”).
John Wick: Chapter 4 has been pushed back to March 24, 2023, and John Wick: Chapter 5 is also on the way. Keep your eyes peeled on CinemaBlend for more updates about the John Wick franchise, as well as our coverage on the 2022 movie releases.
We would like to say thanks to the writer of this short article for this remarkable web content
"
["date_timestamp"]=>
int(1643868515)
}
[8]=>
array(11) {
["title"]=>
string(33) "Modern Times Call for Folk Horror"
["link"]=>
string(81) "https://bestmoviestoday.movs.world/scream-away/modern-times-call-for-folk-horror/"
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array(1) {
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string(11) "Harry World"
}
["pubdate"]=>
string(31) "Thu, 03 Feb 2022 05:46:42 +0000"
["category"]=>
string(32) "Scream AwayfolkHorrorModernTimes"
["guid"]=>
string(43) "https://bestmoviestoday.movs.world/?p=23842"
["description"]=>
string(566) "In the new horror film “Antlers,” Keri Russell plays a middle-school teacher in a struggling Oregon town who speculates that one of her students (Jeremy T. Thomas) is hiding a supernatural secret that has something to do with a string of brutal murders. (She’s right.) Scott Cooper, the director of “Antlers,” which is currently in ... Read more"
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In the new horror film “Antlers,” Keri Russell plays a middle-school teacher in a struggling Oregon town who speculates that one of her students (Jeremy T. Thomas) is hiding a supernatural secret that has something to do with a string of brutal murders. (She’s right.)
Scott Cooper, the director of “Antlers,” which is currently in theaters, had no reservations about showing the film to his daughters, ages 15 and 18, even though there’s gore galore in its depiction of a ravenous wendigo, a creature with roots in Native American folkloric traditions.
Rather, he showed it to them because he knew the horrors it depicted — like opioid addiction and the environmental effects of mining — would pale in comparison to what they’re already scared of: the downward spiral of the natural world outside their front door.
“When you live in California, you’re confronted with climate change and drought on a daily basis,” he said. “They’re acutely aware of what it’s doing and what their future is. My girls understand that my film is a metaphor.”
Humankind’s catastrophic relationship to nature and nature’s revolt against the human body are more than horror story plot devices. They also carry on the tradition of folk horror, a genre with origins largely in British cinema that mainstream American audiences recently got a taste of in Ari Aster’s “Midsommar” and Robert Eggers’s “The Witch.”
Generally the films take place in a rural environment and engage with folk customs and ancient belief systems. The stories are mostly about clashes: between insiders and outsiders, city and country, technology and the analog and modernity and an idyllic past (unless you were a witch).
As the folk horror scholar Adam Scovell wrote, the genre is about “the evil under the soil, the terror in the backwoods of a forgotten lane, and the ghosts that haunt stones and patches of dark, lonely water.”
This fall, “Antlers,” from the Disney division Searchlight Pictures, joins other new, mostly indie folk horror films from around the world. There’s “The Old Ways,” a possession story set in a Mexican village; “Demigod,” a supernatural tale set in Germany’s Black Forest; “The Medium,” about a Thai shaman and a demonic entity; and, opening Nov. 19, the Welsh-language film “The Feast,” about a phantasmal dinner party.
Folk horror “wonders if the old ways were right,” as the scholar Maisha Wester said in Janisse’s film. Howard David Ingham, the author of “We Don’t Go Back: A Watcher’s Guide to Folk Horror,” said one of the reasons folk horror is so pertinent now is because, whether it’s the pandemic or politics, “there’s a sense that we’re being haunted by a whole lot of unresolved business.”
“Are we scared our neighbor is secretly a witch? Probably not,” Ingham wrote in an email. “But it’s absolutely a metaphor for what we’re experiencing, how the fault lines in our society are manifesting themselves.”
Labeling folk horror as a genre didn’t take off in earnest until 2010, when it was used in the BBC documentary series “The History of Horror” to describe three British films fans now call the Unholy Trinity: “Witchfinder General” (1968), starring Vincent Price as an inquisitor; “The Blood on Satan’s Claw” (1971), about demonic rituals in 18th-century England; and “The Wicker Man” (1973), about a pagan community on a remote Scottish island.
In the 1960s and ’70s, American audiences got a feel for the genre in a film like the H.P. Lovecraft-inspired occult drama “The Dunwich Horror,” but also in an absurd exploitation film like “The Manitou,” a tale of demonic body horror, and in experimental cinema, like “Ganja & Hess,” a Black vampire tale. The folk horror films of this era weren’t considered part of a genre; filmmakers were simply using horror to reflect the environmental, racial and spiritual changes around them.
Although there are rich folk horror cinema traditions around the globe, folk horror films have been mostly made by white men, often about white people’s anxieties. A filmmaker who doesn’t come from the culture they’re exploring, said Janisse, “is going to have to be able to explain how it’s suitable for them to make the film in today’s climate.”
Cooper, who is not Native American, said he was conscious of his status as an outsider, which is why he consulted experts in wendigo folklore and Indigenous histories of the Pacific Northwest to “tell my story without feeling like I was co-opting their legend.”
Five Movies to Watch This Winter
For filmmakers working within their own folk traditions, there’s nothing scary about creatures or ancient beliefs because they are baked into their culture. Valdimar Johannsson, the director of “Lamb,” a new Icelandic film about a couple’s animal-child, said Icelanders understand their folk history “as a normal thing, and don’t consider it to be supernatural or horror.”
At Anthology Film Archives, “Folk Horror,” a new series organized by Jed Rapfogel and Jennifer Anna, explores the genre’s narrative and global scope. The program, which continues through Nov. 11, includes what may be a surprise: “Get Out.” But Jordan Peele’s film checks off two foundational folk horror themes: isolation and landscape, in this case an upper-class white suburb where an island mentality leads to social violence.
In “Get Out,” Rapfogel said, “the past is not the past, and things of the past are reappearing in horrific ways.”
That’s one of the reasons folk horror shows no signs of wilting. As long as humans mess with Mother Nature and keep regenerating old hatreds, horror will hold up its mirror.
“We might be watching stories of human sacrifice, of ghostly visitations, of witches’ sabbats,” Ingham said. “But in a broad sense there’s something in a folk horror film that makes us think yes, it’s like that.”
We wish to thank the writer of this write-up for this outstanding material
"
}
["summary"]=>
string(566) "In the new horror film “Antlers,” Keri Russell plays a middle-school teacher in a struggling Oregon town who speculates that one of her students (Jeremy T. Thomas) is hiding a supernatural secret that has something to do with a string of brutal murders. (She’s right.) Scott Cooper, the director of “Antlers,” which is currently in ... Read more"
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string(11312) "
In the new horror film “Antlers,” Keri Russell plays a middle-school teacher in a struggling Oregon town who speculates that one of her students (Jeremy T. Thomas) is hiding a supernatural secret that has something to do with a string of brutal murders. (She’s right.)
Scott Cooper, the director of “Antlers,” which is currently in theaters, had no reservations about showing the film to his daughters, ages 15 and 18, even though there’s gore galore in its depiction of a ravenous wendigo, a creature with roots in Native American folkloric traditions.
Rather, he showed it to them because he knew the horrors it depicted — like opioid addiction and the environmental effects of mining — would pale in comparison to what they’re already scared of: the downward spiral of the natural world outside their front door.
“When you live in California, you’re confronted with climate change and drought on a daily basis,” he said. “They’re acutely aware of what it’s doing and what their future is. My girls understand that my film is a metaphor.”
Humankind’s catastrophic relationship to nature and nature’s revolt against the human body are more than horror story plot devices. They also carry on the tradition of folk horror, a genre with origins largely in British cinema that mainstream American audiences recently got a taste of in Ari Aster’s “Midsommar” and Robert Eggers’s “The Witch.”
Generally the films take place in a rural environment and engage with folk customs and ancient belief systems. The stories are mostly about clashes: between insiders and outsiders, city and country, technology and the analog and modernity and an idyllic past (unless you were a witch).
As the folk horror scholar Adam Scovell wrote, the genre is about “the evil under the soil, the terror in the backwoods of a forgotten lane, and the ghosts that haunt stones and patches of dark, lonely water.”
This fall, “Antlers,” from the Disney division Searchlight Pictures, joins other new, mostly indie folk horror films from around the world. There’s “The Old Ways,” a possession story set in a Mexican village; “Demigod,” a supernatural tale set in Germany’s Black Forest; “The Medium,” about a Thai shaman and a demonic entity; and, opening Nov. 19, the Welsh-language film “The Feast,” about a phantasmal dinner party.
Folk horror “wonders if the old ways were right,” as the scholar Maisha Wester said in Janisse’s film. Howard David Ingham, the author of “We Don’t Go Back: A Watcher’s Guide to Folk Horror,” said one of the reasons folk horror is so pertinent now is because, whether it’s the pandemic or politics, “there’s a sense that we’re being haunted by a whole lot of unresolved business.”
“Are we scared our neighbor is secretly a witch? Probably not,” Ingham wrote in an email. “But it’s absolutely a metaphor for what we’re experiencing, how the fault lines in our society are manifesting themselves.”
Labeling folk horror as a genre didn’t take off in earnest until 2010, when it was used in the BBC documentary series “The History of Horror” to describe three British films fans now call the Unholy Trinity: “Witchfinder General” (1968), starring Vincent Price as an inquisitor; “The Blood on Satan’s Claw” (1971), about demonic rituals in 18th-century England; and “The Wicker Man” (1973), about a pagan community on a remote Scottish island.
In the 1960s and ’70s, American audiences got a feel for the genre in a film like the H.P. Lovecraft-inspired occult drama “The Dunwich Horror,” but also in an absurd exploitation film like “The Manitou,” a tale of demonic body horror, and in experimental cinema, like “Ganja & Hess,” a Black vampire tale. The folk horror films of this era weren’t considered part of a genre; filmmakers were simply using horror to reflect the environmental, racial and spiritual changes around them.
Although there are rich folk horror cinema traditions around the globe, folk horror films have been mostly made by white men, often about white people’s anxieties. A filmmaker who doesn’t come from the culture they’re exploring, said Janisse, “is going to have to be able to explain how it’s suitable for them to make the film in today’s climate.”
Cooper, who is not Native American, said he was conscious of his status as an outsider, which is why he consulted experts in wendigo folklore and Indigenous histories of the Pacific Northwest to “tell my story without feeling like I was co-opting their legend.”
Five Movies to Watch This Winter
For filmmakers working within their own folk traditions, there’s nothing scary about creatures or ancient beliefs because they are baked into their culture. Valdimar Johannsson, the director of “Lamb,” a new Icelandic film about a couple’s animal-child, said Icelanders understand their folk history “as a normal thing, and don’t consider it to be supernatural or horror.”
At Anthology Film Archives, “Folk Horror,” a new series organized by Jed Rapfogel and Jennifer Anna, explores the genre’s narrative and global scope. The program, which continues through Nov. 11, includes what may be a surprise: “Get Out.” But Jordan Peele’s film checks off two foundational folk horror themes: isolation and landscape, in this case an upper-class white suburb where an island mentality leads to social violence.
In “Get Out,” Rapfogel said, “the past is not the past, and things of the past are reappearing in horrific ways.”
That’s one of the reasons folk horror shows no signs of wilting. As long as humans mess with Mother Nature and keep regenerating old hatreds, horror will hold up its mirror.
“We might be watching stories of human sacrifice, of ghostly visitations, of witches’ sabbats,” Ingham said. “But in a broad sense there’s something in a folk horror film that makes us think yes, it’s like that.”
We wish to thank the writer of this write-up for this outstanding material
"
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array(11) {
["title"]=>
string(58) "Past eight years: Warmest since modern recordkeeping began"
["link"]=>
string(110) "https://bestmoviestoday.movs.world/healthandscience/past-eight-years-warmest-since-modern-recordkeeping-began/"
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string(12) "Tony Grantly"
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["pubdate"]=>
string(31) "Thu, 03 Feb 2022 05:43:40 +0000"
["category"]=>
string(44) "Health And ScienceModernrecordkeepingWarmest"
["guid"]=>
string(43) "https://bestmoviestoday.movs.world/?p=23837"
["description"]=>
string(672) "Continuing the planet’s long-term warming trend, global temperatures in 2021 were 1.5 degrees Fahrenheit (0.85 degrees Celsius) above the average for NASA’s baseline period, according to scientists at NASA’s Goddard Institute for Space Studies (GISS) in New York. NASA uses the period from 1951-1980 as a baseline to see how global temperature changes over time. ... Read more"
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Continuing the planet’s long-term warming trend, global temperatures in 2021 were 1.5 degrees Fahrenheit (0.85 degrees Celsius) above the average for NASA’s baseline period, according to scientists at NASA’s Goddard Institute for Space Studies (GISS) in New York. NASA uses the period from 1951-1980 as a baseline to see how global temperature changes over time.
Collectively, the past eight years are the warmest years since modern recordkeeping began in 1880. This annual temperature data makes up the global temperature record — which tells scientists the planet is warming.
According to NASA’s temperature record, Earth in 2021 was about 1.9 degrees Fahrenheit (or about 1.1 degrees Celsius) warmer than the late 19th century average, the start of the industrial revolution.
“Science leaves no room for doubt: Climate change is the existential threat of our time,” said NASA Administrator Bill Nelson. “Eight of the top 10 warmest years on our planet occurred in the last decade, an indisputable fact that underscores the need for bold action to safeguard the future of our country — and all of humanity. NASA’s scientific research about how Earth is changing and getting warmer will guide communities throughout the world, helping humanity confront climate and mitigate its devastating effects.”
This warming trend around the globe is due to human activities that have increased emissions of carbon dioxide and other greenhouse gases into the atmosphere. The planet is already seeing the effects of global warming: Arctic sea ice is declining, sea levels are rising, wildfires are becoming more severe and animal migration patterns are shifting. Understanding how the planet is changing — and how rapidly that change occurs — is crucial for humanity to prepare for and adapt to a warmer world.
Weather stations, ships, and ocean buoys around the globe record the temperature at Earth’s surface throughout the year. These ground-based measurements of surface temperature are validated with satellite data from the Atmospheric Infrared Sounder (AIRS) on NASA’s Aqua satellite. Scientists analyze these measurements using computer algorithms to deal with uncertainties in the data and quality control to calculate the global average surface temperature difference for every year. NASA compares that global mean temperature to its baseline period of 1951-1980. That baseline includes climate patterns and unusually hot or cold years due to other factors, ensuring that it encompasses natural variations in Earth’s temperature.
Many factors affect the average temperature any given year, such as La Nina and El Nino climate patterns in the tropical Pacific. For example, 2021 was a La Nina year and NASA scientists estimate that it may have cooled global temperatures by about 0.06 degrees Fahrenheit (0.03 degrees Celsius) from what the average would have been.
A separate, independent analysis by NOAA also concluded that the global surface temperature for 2021 was the sixth highest since record keeping began in 1880. NOAA scientists use much of the same raw temperature data in their analysis and have a different baseline period (1901-2000) and methodology.
“The complexity of the various analyses doesn’t matter because the signals are so strong,” said Gavin Schmidt, director of GISS, NASA’s leading center for climate modeling and climate change research. “The trends are all the same because the trends are so large.”
NASA’s full dataset of global surface temperatures for 2021, as well as details of how NASA scientists conducted the analysis, are publicly available from GISS (https://data.giss.nasa.gov/gistemp).
GISS is a NASA laboratory managed by the Earth Sciences Division of the agency’s Goddard Space Flight Center in Greenbelt, Maryland. The laboratory is affiliated with Columbia University’s Earth Institute and School of Engineering and Applied Science in New York.
For more information about NASA’s Earth science missions, visit:
"
}
["summary"]=>
string(672) "Continuing the planet’s long-term warming trend, global temperatures in 2021 were 1.5 degrees Fahrenheit (0.85 degrees Celsius) above the average for NASA’s baseline period, according to scientists at NASA’s Goddard Institute for Space Studies (GISS) in New York. NASA uses the period from 1951-1980 as a baseline to see how global temperature changes over time. ... Read more"
["atom_content"]=>
string(4813) "
Continuing the planet’s long-term warming trend, global temperatures in 2021 were 1.5 degrees Fahrenheit (0.85 degrees Celsius) above the average for NASA’s baseline period, according to scientists at NASA’s Goddard Institute for Space Studies (GISS) in New York. NASA uses the period from 1951-1980 as a baseline to see how global temperature changes over time.
Collectively, the past eight years are the warmest years since modern recordkeeping began in 1880. This annual temperature data makes up the global temperature record — which tells scientists the planet is warming.
According to NASA’s temperature record, Earth in 2021 was about 1.9 degrees Fahrenheit (or about 1.1 degrees Celsius) warmer than the late 19th century average, the start of the industrial revolution.
“Science leaves no room for doubt: Climate change is the existential threat of our time,” said NASA Administrator Bill Nelson. “Eight of the top 10 warmest years on our planet occurred in the last decade, an indisputable fact that underscores the need for bold action to safeguard the future of our country — and all of humanity. NASA’s scientific research about how Earth is changing and getting warmer will guide communities throughout the world, helping humanity confront climate and mitigate its devastating effects.”
This warming trend around the globe is due to human activities that have increased emissions of carbon dioxide and other greenhouse gases into the atmosphere. The planet is already seeing the effects of global warming: Arctic sea ice is declining, sea levels are rising, wildfires are becoming more severe and animal migration patterns are shifting. Understanding how the planet is changing — and how rapidly that change occurs — is crucial for humanity to prepare for and adapt to a warmer world.
Weather stations, ships, and ocean buoys around the globe record the temperature at Earth’s surface throughout the year. These ground-based measurements of surface temperature are validated with satellite data from the Atmospheric Infrared Sounder (AIRS) on NASA’s Aqua satellite. Scientists analyze these measurements using computer algorithms to deal with uncertainties in the data and quality control to calculate the global average surface temperature difference for every year. NASA compares that global mean temperature to its baseline period of 1951-1980. That baseline includes climate patterns and unusually hot or cold years due to other factors, ensuring that it encompasses natural variations in Earth’s temperature.
Many factors affect the average temperature any given year, such as La Nina and El Nino climate patterns in the tropical Pacific. For example, 2021 was a La Nina year and NASA scientists estimate that it may have cooled global temperatures by about 0.06 degrees Fahrenheit (0.03 degrees Celsius) from what the average would have been.
A separate, independent analysis by NOAA also concluded that the global surface temperature for 2021 was the sixth highest since record keeping began in 1880. NOAA scientists use much of the same raw temperature data in their analysis and have a different baseline period (1901-2000) and methodology.
“The complexity of the various analyses doesn’t matter because the signals are so strong,” said Gavin Schmidt, director of GISS, NASA’s leading center for climate modeling and climate change research. “The trends are all the same because the trends are so large.”
NASA’s full dataset of global surface temperatures for 2021, as well as details of how NASA scientists conducted the analysis, are publicly available from GISS (https://data.giss.nasa.gov/gistemp).
GISS is a NASA laboratory managed by the Earth Sciences Division of the agency’s Goddard Space Flight Center in Greenbelt, Maryland. The laboratory is affiliated with Columbia University’s Earth Institute and School of Engineering and Applied Science in New York.
For more information about NASA’s Earth science missions, visit:
