In recent weeks there has been a lot of talk about the 21co Srldefined by us as the record label of Maria De Filippi and who sees driving Giordana Angi, Care, Mamo Giovenco e Emanuele Sample.
A label that aims, at least in this starting phase, to continue the recording path with the guys launched by the talent show Friends of Maria De Filippi with the same team that followed them in the school. This is to avoid, as has happened many times in the past, that the boys are “used” with the launch of a first disc and forgotten or set aside, in case of lower results, with the second. The cases are many from Einar a Blondda Carmen Ferreri and away going back through the years.
When we anticipated the news on the birth of the 21co Srl (READ HERE), we called it the record company of Maria De Filippi while for many sites it is the record label of two ex-boys of Amici, Care e Giordana Angi. We therefore wondered, to be fair, if it was right to call it the record label of Maria De Filippi. For this we went to consult public documents on the foundation of the 21co srl.
21co srl Maria’s record company?
The company was established in Rome on 10 May 2022 with 10,000 Euros of share capital. And these are the partners:
- 40% Charm – Production Gestione Teatro Srl
- 12% Bull Maximilian
- 12% Emanuela example
- 12% Angi Giordana
- 12% Bellegrandi Mattia
- 12% Costanzo Gabriele
Fascino Srl is the company founded by Maurizio Costanzo and then ceded to Maria De Filippi. And just a Maria it is traceable, since it is she who is the identifiable subject as beneficial owner for anti-money laundering purposes with a cumulative share of 20%.
For the 2019 anti-money laundering legislation, the beneficial owner is the natural person on behalf of whom a transaction is carried out and in the case of a legal entity, the natural persons who own or control that entity who are beneficiaries.
Source: Cerved
In practice, to be defined beneficial owner, you must be a member with a share greater than 25%. In this case the only shareholder who exceeds the threshold is Fascino Srl and, being a company, it is necessary to see who the shareholders are and so on up to the physical persons.
Maria Of Philippi is indicated as the holder with 20%. It therefore means that you are a 50% shareholder of Fascino Srl (50% of 40% is 20%).
These are the minimum entities to be identified as beneficial owners, or TIT in jargon.
Let’s continue with the analysis of the company’s Governance, that is the representatives, those who manage it and the directors.
The Chairman of the Board of Directors of 21co srl is Emanuela exampleformer competitor of the Big Brother second edition, for twenty years now at work alongside the De Filippi.
The others natural persons partners they are Directors and, in practice, they also hold operational positions. For instance Giordana Angi is A&R of the label. Massimiliano “Mom” Bullockfor those unfamiliar with him, he is the musical director of Amici. As a councilor he is also Gabriele Costanzowhich is the adopted son of Maurizio Costanzo e Maria De Filippi.
Currently the company is inactive, that is, it is not yet pursuing its corporate purpose which, briefly, is musical editions and activities connected and similar to the record business. It will also be able to carry out the activities of press office, promotion and management of artists.
Actually the company is about to release the discs of Luigi Strangis e Alexrespectively on 3 and 10 June, then he began to “work”.
We remind you that the above data are publicly available in the Chamber of Commerce on the date of extraction of the Dossier, therefore, on different dates, they may change. The update is not in real time.
What can we say about this company today. Little… except that Maria De Filippi he has no offices in the company, the administration of which has been entrusted to the other shareholders.
So it’s correct to call it the record label of Maria Of Philippi? Yes, for the legislation (anti-money laundering, in particular), yes.
We would love to thank the writer of this article for this awesome material
21co Srl: all the details on the newly established company of Maria De Filippi
In recent weeks there has been a lot of talk about the 21co Srldefined by us as the record label of Maria De Filippi and who sees driving Giordana Angi, Care, Mamo Giovenco e Emanuele Sample.
A label that aims, at least in this starting phase, to continue the recording path with the guys launched by the talent show Friends of Maria De Filippi with the same team that followed them in the school. This is to avoid, as has happened many times in the past, that the boys are “used” with the launch of a first disc and forgotten or set aside, in case of lower results, with the second. The cases are many from Einar a Blondda Carmen Ferreri and away going back through the years.
When we anticipated the news on the birth of the 21co Srl (READ HERE), we called it the record company of Maria De Filippi while for many sites it is the record label of two ex-boys of Amici, Care e Giordana Angi. We therefore wondered, to be fair, if it was right to call it the record label of Maria De Filippi. For this we went to consult public documents on the foundation of the 21co srl.
21co srl Maria’s record company?
The company was established in Rome on 10 May 2022 with 10,000 Euros of share capital. And these are the partners:
- 40% Charm – Production Gestione Teatro Srl
- 12% Bull Maximilian
- 12% Emanuela example
- 12% Angi Giordana
- 12% Bellegrandi Mattia
- 12% Costanzo Gabriele
Fascino Srl is the company founded by Maurizio Costanzo and then ceded to Maria De Filippi. And just a Maria it is traceable, since it is she who is the identifiable subject as beneficial owner for anti-money laundering purposes with a cumulative share of 20%.
For the 2019 anti-money laundering legislation, the beneficial owner is the natural person on behalf of whom a transaction is carried out and in the case of a legal entity, the natural persons who own or control that entity who are beneficiaries.
Source: Cerved
In practice, to be defined beneficial owner, you must be a member with a share greater than 25%. In this case the only shareholder who exceeds the threshold is Fascino Srl and, being a company, it is necessary to see who the shareholders are and so on up to the physical persons.
Maria Of Philippi is indicated as the holder with 20%. It therefore means that you are a 50% shareholder of Fascino Srl (50% of 40% is 20%).
These are the minimum entities to be identified as beneficial owners, or TIT in jargon.
Let’s continue with the analysis of the company’s Governance, that is the representatives, those who manage it and the directors.
The Chairman of the Board of Directors of 21co srl is Emanuela exampleformer competitor of the Big Brother second edition, for twenty years now at work alongside the De Filippi.
The others natural persons partners they are Directors and, in practice, they also hold operational positions. For instance Giordana Angi is A&R of the label. Massimiliano “Mom” Bullockfor those unfamiliar with him, he is the musical director of Amici. As a councilor he is also Gabriele Costanzowhich is the adopted son of Maurizio Costanzo e Maria De Filippi.
Currently the company is inactive, that is, it is not yet pursuing its corporate purpose which, briefly, is musical editions and activities connected and similar to the record business. It will also be able to carry out the activities of press office, promotion and management of artists.
Actually the company is about to release the discs of Luigi Strangis e Alexrespectively on 3 and 10 June, then he began to “work”.
We remind you that the above data are publicly available in the Chamber of Commerce on the date of extraction of the Dossier, therefore, on different dates, they may change. The update is not in real time.
What can we say about this company today. Little… except that Maria De Filippi he has no offices in the company, the administration of which has been entrusted to the other shareholders.
So it’s correct to call it the record label of Maria Of Philippi? Yes, for the legislation (anti-money laundering, in particular), yes.
We would love to thank the writer of this article for this awesome material
21co Srl: all the details on the newly established company of Maria De Filippi
Every Friday, Monique Dardenne sends Music Non Stop a fresh, hand-picked list – no machinery (read algorithm) – straight from your musical garden, with the songs, albums and EPs you can’t miss this week. This week’s crop, as usual, ranges from pure house music to the most creamy weirdness. Indulge in moderation.
1 – The Statue Man – Jealous (music video)
Loïc Koutanao The Statue Manpresents in Jealousy a body willing to free love and that questions – verse by verse, scene by scene – the obstacles to this full realization. Packing the dive into the mythical time of the theme and its ancestry, a rap with violin samples and muffled beats mix with the solitary images of the artist who brings in his performance the dramatic and deep tone that the music offers.
2 – Berbie Bertisch – Water Moves Slowly (Pre-order of Prelude album)
“I am closing a chapter of my life”, Barbie Bertisch says on a park bench in Greepoint. “I have spent the last four years working to gain confidence in my ideas and my creative perspective. This is the culmination of this process.” The “it” in question is the collection of 11 songs that narrate 5 years of Bertisch’s life, the album Prelude.
3 – Parera Elsewhere – Hold Tite (Pre-order Album)
The pop enigma of Berlin via London, Perera Elsewhereannounced their new album, Home, which will be released on September 30 via Friends of Friends. The album features the lead single Hold Titewhich Sasha Perera described in a statement: “It’s like a boxer mentally concentrating before stepping into the ring…an anthem to keep your demons in check…a clear message for the things you fear most.”
4 – Marina Herlop – Pripyat (album)
Marina Herlop just released their third album, Pripyat, an emotional and extremely creative work. Fans of Nanook and Babasha will recognize the melancholy piano and elegant vocal lines found on tracks like Before Before. But Pripyat has a much fuller sound. Almost chaotic when compared to previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.
5 – KaySoul e Desney Bailey – The World’s Going Crazy (EP)
South African house DJ and producer KaySoul has invited Desney Bailey to create this soulful, dancefloor-oriented EP. New York DJ Desney Bailey, known in the European nujazz scene and for works with Jazzanova, brought an extra freshness to the work.
6 – Attawalpa – Too Much (single)
Born in England to a Peruvian mother and British father, Felber spent his early years in Peru and Chile before returning to Britain at age seven. He began his music career at the age of 17 and is now known as one of the founders of the Young Turks label and club. In 2020, Felber created his aka Attawalpa and released the first album by the project, called Spells.
7 – Sudan Archives – Home Maker (single)
As Sudan Archivesviolinist and singer Brittney Parks combines hypnotic string loops and experimental beats, harnessing the textures of electronica and R&B into sleek, shape-shifting tunes as if they’re bubbling over simmering. The Los Angeles artist’s first EPs introduced avant-garde, violin-driven compositions in the North African style that came into sharper focus on her stunning and reflective 2019 debut, Athena. Your latest single, Home Makeris his most accessible yet, an arrogant statement with all the idiosyncratic charm that makes his music so memorable.
8 – FKJ – Vincent (Pre-order album)
FKJ is a virtuoso multi-instrumentalist and producer with one foot in the new world and the other in the old, making soulful, boundless music for a restless, genre-fluid generation. His songs blend jazz, soul, folk, rock and experimental beats that combine complexity and intimacy. Vincent is FKJ’s second album and signals a new dawn, where he realized he wanted to enjoy the freedom of being a teenager again.
9 – Nikki Nair – Onde Four Five / Lemma (EP)
After several years of fun and incendiary releases on labels such as Scuffed, Gobstopper and Banoffee Pies, Nikki Nair features three more tracks for the inaugural EP on the new Island F label. One Four Five sets the tone with Nikki’s signature vocal work, all punctuated by bass and intelligent beeps and spaces. Lemma holds the energy and brings it to an alien space populated by smaller, cuter sounds and a weird vocal beat.
10 – Mr fingers – Around the Sun pt 1 (álbum)
Mr. Fingers returns to Allevated Records with a new album! Larry Heard (under his better known moniker) continues on the path he set with Cerebral Hemispheres in 2018. Encompassing all his jazz, R&B, techno and ambient influences, these exuberant tracks are reminiscent of a trademark sound of “Mr. Fingers”. This is Larry Heard at his best.
READ THE PREVIOUS COLUMNS
FOLLOW THE PLAYLIST RELEASES BY MONIQUE
We wish to give thanks to the writer of this post for this awesome material
Monique Dardenne delivers another list of releases that you can’t find around. Add everything to your playlist now – music non stop
Every Friday, Monique Dardenne sends Music Non Stop a fresh, hand-picked list – no machinery (read algorithm) – straight from your musical garden, with the songs, albums and EPs you can’t miss this week. This week’s crop, as usual, ranges from pure house music to the most creamy weirdness. Indulge in moderation.
1 – The Statue Man – Jealous (music video)
Loïc Koutanao The Statue Manpresents in Jealousy a body willing to free love and that questions – verse by verse, scene by scene – the obstacles to this full realization. Packing the dive into the mythical time of the theme and its ancestry, a rap with violin samples and muffled beats mix with the solitary images of the artist who brings in his performance the dramatic and deep tone that the music offers.
2 – Berbie Bertisch – Water Moves Slowly (Pre-order of Prelude album)
“I am closing a chapter of my life”, Barbie Bertisch says on a park bench in Greepoint. “I have spent the last four years working to gain confidence in my ideas and my creative perspective. This is the culmination of this process.” The “it” in question is the collection of 11 songs that narrate 5 years of Bertisch’s life, the album Prelude.
3 – Parera Elsewhere – Hold Tite (Pre-order Album)
The pop enigma of Berlin via London, Perera Elsewhereannounced their new album, Home, which will be released on September 30 via Friends of Friends. The album features the lead single Hold Titewhich Sasha Perera described in a statement: “It’s like a boxer mentally concentrating before stepping into the ring…an anthem to keep your demons in check…a clear message for the things you fear most.”
4 – Marina Herlop – Pripyat (album)
Marina Herlop just released their third album, Pripyat, an emotional and extremely creative work. Fans of Nanook and Babasha will recognize the melancholy piano and elegant vocal lines found on tracks like Before Before. But Pripyat has a much fuller sound. Almost chaotic when compared to previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.
5 – KaySoul e Desney Bailey – The World’s Going Crazy (EP)
South African house DJ and producer KaySoul has invited Desney Bailey to create this soulful, dancefloor-oriented EP. New York DJ Desney Bailey, known in the European nujazz scene and for works with Jazzanova, brought an extra freshness to the work.
6 – Attawalpa – Too Much (single)
Born in England to a Peruvian mother and British father, Felber spent his early years in Peru and Chile before returning to Britain at age seven. He began his music career at the age of 17 and is now known as one of the founders of the Young Turks label and club. In 2020, Felber created his aka Attawalpa and released the first album by the project, called Spells.
7 – Sudan Archives – Home Maker (single)
As Sudan Archivesviolinist and singer Brittney Parks combines hypnotic string loops and experimental beats, harnessing the textures of electronica and R&B into sleek, shape-shifting tunes as if they’re bubbling over simmering. The Los Angeles artist’s first EPs introduced avant-garde, violin-driven compositions in the North African style that came into sharper focus on her stunning and reflective 2019 debut, Athena. Your latest single, Home Makeris his most accessible yet, an arrogant statement with all the idiosyncratic charm that makes his music so memorable.
8 – FKJ – Vincent (Pre-order album)
FKJ is a virtuoso multi-instrumentalist and producer with one foot in the new world and the other in the old, making soulful, boundless music for a restless, genre-fluid generation. His songs blend jazz, soul, folk, rock and experimental beats that combine complexity and intimacy. Vincent is FKJ’s second album and signals a new dawn, where he realized he wanted to enjoy the freedom of being a teenager again.
9 – Nikki Nair – Onde Four Five / Lemma (EP)
After several years of fun and incendiary releases on labels such as Scuffed, Gobstopper and Banoffee Pies, Nikki Nair features three more tracks for the inaugural EP on the new Island F label. One Four Five sets the tone with Nikki’s signature vocal work, all punctuated by bass and intelligent beeps and spaces. Lemma holds the energy and brings it to an alien space populated by smaller, cuter sounds and a weird vocal beat.
10 – Mr fingers – Around the Sun pt 1 (álbum)
Mr. Fingers returns to Allevated Records with a new album! Larry Heard (under his better known moniker) continues on the path he set with Cerebral Hemispheres in 2018. Encompassing all his jazz, R&B, techno and ambient influences, these exuberant tracks are reminiscent of a trademark sound of “Mr. Fingers”. This is Larry Heard at his best.
READ THE PREVIOUS COLUMNS
FOLLOW THE PLAYLIST RELEASES BY MONIQUE
We wish to give thanks to the writer of this post for this awesome material
Monique Dardenne delivers another list of releases that you can’t find around. Add everything to your playlist now – music non stop
Every festival is a great opportunity to meet new bands, or to be able to see live for the first time someone you’ve heard of – this, of course, in addition to suchheadliners– the names that occupy the privileged positions on the posters that announce the program of the event.
And even those who can’t attend the shows can take advantage of the festival’s careful curation to accumulate new favorites. Therefore, the pavé music compiles tips on what events around Brazil offer the best in addition to their main attractions.
We want!
When?
May 28
At where?
Marina da Glória (Rio de Janeiro), broadcast online by Amazon Music
In Programming:
Gilberto Gil | Emicida | Kamasi Washington | Heaven | Baco Exu do Blues | Marina Sena | Tuyo | ATTØØXXÁ
Tickets:
on sale at Eventim platform
Luedji Luna
One of the most beautiful colors of contemporary Brazilian music, the baiana salutes those who came before and those who live today, always recognizing the importance of this connection for understanding who we are, the perception of our strengths and the legitimation of weaknesses and anger. From smiles and loves, from looks and tears, the singer brings us all the spices and poetry of being underwater. Remembering that the last time she stepped on stage at the festival was late afternoon, and the sun took a while to set because she also wanted to see every second of her talent and that of her percussive band – a beauty on its own. She doesn’t even know what to expect, but it’s good to think about who to enjoy the show with. (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=4FyNL368mDg
Drink Barbosa
Part of the cast of the Laboratório Fantasma label, Drik lives up to his house and moves through various styles of Brazilian music with the same fluidity as he does in rap. His voice is as versatile as his releases, from the romantic sweetness to the nervous power of the most revealing verses. Your show at Quero! should focus on its more danceable tracks, such as who has play e Temptation, but it can bring several surprises. By the way, it is possible that she will also show up during the Emicida show, as she did at Lollapalooza Brasil. (André Felipe de Medeiros)
//www.youtube.com/watch?v=LL7B6v9xZ1g
FBC + Vhoor
Miners made everyone dance in 2021 miami-bass-in-the-80s style and now they are taking the BAILE to every possible place. It was an album guaranteed on all the lists of the best Brazilian albums of the year, filled with social criticism, subjectivities and peripheral and favela ethnographies. Training the steps is optional, but highly recommended. It’s also worth staying tuned because on the eve of Quero! Festival o Vhoor releases its album Baile & Bass, so are there going to be some new highs? (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=0tKvxIp29Js
Major
To take to Marina da Glória the repertoire of Ojunifé (2021), her debut album, the singer promises guest appearances by Luedji Luna and Liniker. In other words, it is a great gathering of affection and powerful voices to translate on stage some of the content of the work, whose name means in Yoruba “eyes of love”. (André Felipe de Medeiros)
//www.youtube.com/watch?v=ClO5xZm7qbw
BK’
Carioca Abebe Bikila is already reaping the fruits of his production, which is very rich in references (Jay-Z, Marcelo D2, Racionais MC’s and even the anime Attack on Titan), samples, guest appearances (D2 himself, Baco Exu do Blues, Akira Presidente, Drik Barbosa) and worldviews. With songs that became mantras, very straight talk and a cutting-edge production (due mainly to El Lif Beatz it’s from JXNV $), was quickly elevated to the hall of best Brazilian rappers today. On stage, he shows the other whys. (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=V141wUSkTfk
Share!
The post Pavê Festival Guide: We want it! 2022 first appeared on Música Pavé.
We would love to say thanks to the writer of this write-up for this outstanding content
Pavê Festival Guide: We want it! 2022
Every festival is a great opportunity to meet new bands, or to be able to see live for the first time someone you’ve heard of – this, of course, in addition to suchheadliners– the names that occupy the privileged positions on the posters that announce the program of the event.
And even those who can’t attend the shows can take advantage of the festival’s careful curation to accumulate new favorites. Therefore, the pavé music compiles tips on what events around Brazil offer the best in addition to their main attractions.
We want!
When?
May 28
At where?
Marina da Glória (Rio de Janeiro), broadcast online by Amazon Music
In Programming:
Gilberto Gil | Emicida | Kamasi Washington | Heaven | Baco Exu do Blues | Marina Sena | Tuyo | ATTØØXXÁ
Tickets:
on sale at Eventim platform
Luedji Luna
One of the most beautiful colors of contemporary Brazilian music, the baiana salutes those who came before and those who live today, always recognizing the importance of this connection for understanding who we are, the perception of our strengths and the legitimation of weaknesses and anger. From smiles and loves, from looks and tears, the singer brings us all the spices and poetry of being underwater. Remembering that the last time she stepped on stage at the festival was late afternoon, and the sun took a while to set because she also wanted to see every second of her talent and that of her percussive band – a beauty on its own. She doesn’t even know what to expect, but it’s good to think about who to enjoy the show with. (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=4FyNL368mDg
Drink Barbosa
Part of the cast of the Laboratório Fantasma label, Drik lives up to his house and moves through various styles of Brazilian music with the same fluidity as he does in rap. His voice is as versatile as his releases, from the romantic sweetness to the nervous power of the most revealing verses. Your show at Quero! should focus on its more danceable tracks, such as who has play e Temptation, but it can bring several surprises. By the way, it is possible that she will also show up during the Emicida show, as she did at Lollapalooza Brasil. (André Felipe de Medeiros)
//www.youtube.com/watch?v=LL7B6v9xZ1g
FBC + Vhoor
Miners made everyone dance in 2021 miami-bass-in-the-80s style and now they are taking the BAILE to every possible place. It was an album guaranteed on all the lists of the best Brazilian albums of the year, filled with social criticism, subjectivities and peripheral and favela ethnographies. Training the steps is optional, but highly recommended. It’s also worth staying tuned because on the eve of Quero! Festival o Vhoor releases its album Baile & Bass, so are there going to be some new highs? (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=0tKvxIp29Js
Major
To take to Marina da Glória the repertoire of Ojunifé (2021), her debut album, the singer promises guest appearances by Luedji Luna and Liniker. In other words, it is a great gathering of affection and powerful voices to translate on stage some of the content of the work, whose name means in Yoruba “eyes of love”. (André Felipe de Medeiros)
//www.youtube.com/watch?v=ClO5xZm7qbw
BK’
Carioca Abebe Bikila is already reaping the fruits of his production, which is very rich in references (Jay-Z, Marcelo D2, Racionais MC’s and even the anime Attack on Titan), samples, guest appearances (D2 himself, Baco Exu do Blues, Akira Presidente, Drik Barbosa) and worldviews. With songs that became mantras, very straight talk and a cutting-edge production (due mainly to El Lif Beatz it’s from JXNV $), was quickly elevated to the hall of best Brazilian rappers today. On stage, he shows the other whys. (Vitor Henrique Guimaraes)
//www.youtube.com/watch?v=V141wUSkTfk
Share!
The post Pavê Festival Guide: We want it! 2022 first appeared on Música Pavé.
We would love to say thanks to the writer of this write-up for this outstanding content
Pavê Festival Guide: We want it! 2022
The program of the evening in the Fortuna sports hall, the former Tipsport arena, promised a lot. After all, the greats of progressive metal Dream Theater were to perform on one stage and Devin Townsend as a special guest. That is why expectations were rightly set at the highest level. Did these progressives fill them?
Live:Dream Theater
place: Fortuna Sports Hall, Prague
datum: May 26, 2022
support: Devin Townsend
setlist: The Alien, 6:00, Awaken Master, Endless Sacrifice, Bridge in the Sky, Invisible Monster, About to Crash, The Ministry of Lost Souls, A View From the Top of the World, The Count of Tuscany
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Dream Theater’s extensive discography in our shop. At the very beginning, the answer to the perex question must be revealed. Yes, both protagonists met the expectations of Thursday night, to a great extent. However, what they failed to fill was the capacity of the Holešovice hall. Unfortunately, the pressure of events in one week and two big rock bands in one day (the Scorpions played at the O2 arena) probably had an effect on lower attendance, which is a shame for a band the size of Dream Theater.
© Tom Jajo Rozkovec / musicserver.cz
The galleries were empty, as those who had originally occupied more distant places from the stage went straight to the surface. It was divided into sectors for sitting and ready for a big show and logically a bigger visit. Devin Townsend started the evening at a quarter to eight with his group, which, unlike his last visit to Roxy in Prague, was cut into a quartet. However, it was not known in the performance, on the contrary. This sympathetic Canadian, this time he lost his pomp in the form of palms and other properties, but he played an even more striking uncompromising nine-item set, which he took as a cross-section with his rich career. His played compositions mixed his typical brutal approach to metal, spiced with progression, with subtle keyboard underlines. Of course, all supported by his great singing and specific sense of humor. In a short time, Devin became the darling of the audience, and so it happened that he jumped with his guitar closer to the audience, which ran to him and formed a kind of semicircle around him. At that moment, it seemed that he was really playing and soloing just for them.
© Tom Jajo Rozkovec / musicserver.cz
His musical set was divided almost equally into compositions under which he is signed as a solo artist, as well as those from his Project. Although the selection of songs was slightly similar to what he played at Brutal Assault in 2017 and, paradoxically, none of his last successful series “Empath” sounded, it does not change the fact that it was a very successful pre-jump and choosing such an artist was definitely not a bad choice. . Really great start. Slightly before the announced star of the evening’s performance, symphonic reproduced music from the band’s workshop began to sound, and nature clips were displayed on the screen, describing themes from the current cover of the last album. In the meantime, the area was filled with people from more distant galleries. Here it is necessary to highlight the security, which managed it brilliantly to the satisfaction of all, because those who wanted to sit could and still not lose their perspective. Experience from past concerts says that this has rarely been the case. Hats off. And I don’t evaluate the decision to adapt this type of concert to a session at all …
© Tom Jajo Rozkovec / musicserver.cz
The Dream Theater itself took the stage very civilly, without any major gestures or stage spells. In the spotlight, the musicians greeted the audience and immediately dug into the strings. From the very beginning, the quintet let the audience know that it did not intend to compromise on its technical or sound qualities. The scene, which was dominated by Mangini’s relatively truncated drum kit and keyboards by Jordan Rudess, was adorned with several panel screens that complemented one large screen, which projected various, and it should be noted that very successful film clips. The parties filled in other screens with large spotlights, which already showed their strength during the first and very vigorously played song “The Alien”. The whole stage, free of any apparatus and cables, thus created a graceful, even surgically clean space with a kind of 3D effect. At times, it looked like the deck of an alien ship.
© Tom Jajo Rozkovec / musicserver.cz
The band seemed perfectly fine. Many times during the performance, John Petrucci conjured a smile on his lips and literally enchanted his guitar when he burned one solo after another, or instead let it resound in long tones, only then the gradation-enhanced musical motif merged. The Rhudess keyboardist turned and tilted his keys in various ways so that he would always be in the areas reserved for solo instruments. The stoic calm bassist John Myung drew attention to himself as much as possible by throwing his long mane and especially agile fingers, which ran down the fingerboard of his bass neck, otherwise he always stood slightly out of the main events. However, he made up for that in the song “6:00”, in which he created with his namesake battle postsin which, at the sound of a keyboardist, the etude scales were crushed in unison.
© Tom Jajo Rozkovec / musicserver.cz
An inseparable figure of the band is and was, of course, the frontman that night, the singer James LaBrie, who encouraged the audience at every opportunity. He sang his part and quietly disappeared behind the scenes to return full of energy after singing. His voice seemed firm, although he sang some parts slightly differently than we know them from the studios. Needless to say, it didn’t hurt. The sung, slightly altered parts took on a slightly different dimension, and in the quiet passages it sounded more civil, without great manners, almost a recital. The setlist was also interesting. Apart from four songs, including the final twenty-minute composition, from the latest album “A View from the Top of the World”, only six more were heard, the shortest of which lasted about six minutes. The first peak came with “Bridge in the Sky”, in which, although Mike Mangini had a technical problem with the drums, he still played brilliantly, as did the whole concert. And it should be noted – like the whole band. The composition “About to Crash” sounded beautiful. It was one of two calming downs, but here it was part of a larger and longer whole. After “The Ministry of Lost Souls” went to the finals. This provided the de facto forty-minute double track of the title track from the last album and after a storm of applause and maybe just a minute’s respite from the grand finale in the form of “The Count of Tuscany”.
© Tom Jajo Rozkovec / musicserver.cz
The show’s own point of view is certainly worth mentioning. Yes, Dream Theater are not wild boars, in fact, it wouldn’t even suit their music. Their music is thoughtful, sometimes harrowing, soothing and smooth, and definitely not accessible to every ear. It takes a while to experience the intricacies of their places, but if you don’t give up, you are rewarded with a musical beauty full of melodies and a sense of gradation. This is how their show worked. Although the light of Rammstein and Tool cannot match the light, however, these musicians are completely different musically. For me that night, Dream Theater, although their playlist numbered only ten items, some even surprising, played probably its most accessible set. And even though the sound from the place where I watched the performance was uneven in places, fortunately it became clearer from the middle, I evaluate the concert very positively. I can only say that I have not seen a bad concert this year. And this one was excellent. Just keep going.
We would like to thank the author of this post for this awesome content
LIVE: Dream Theater performed in Holešovice on their softer and more melodic note
The program of the evening in the Fortuna sports hall, the former Tipsport arena, promised a lot. After all, the greats of progressive metal Dream Theater were to perform on one stage and Devin Townsend as a special guest. That is why expectations were rightly set at the highest level. Did these progressives fill them?
Live:Dream Theater
place: Fortuna Sports Hall, Prague
datum: May 26, 2022
support: Devin Townsend
setlist: The Alien, 6:00, Awaken Master, Endless Sacrifice, Bridge in the Sky, Invisible Monster, About to Crash, The Ministry of Lost Souls, A View From the Top of the World, The Count of Tuscany
Photo gallery
You can buy a lot of T-shirts, CDs and vinyls from Dream Theater’s extensive discography in our shop. At the very beginning, the answer to the perex question must be revealed. Yes, both protagonists met the expectations of Thursday night, to a great extent. However, what they failed to fill was the capacity of the Holešovice hall. Unfortunately, the pressure of events in one week and two big rock bands in one day (the Scorpions played at the O2 arena) probably had an effect on lower attendance, which is a shame for a band the size of Dream Theater.
© Tom Jajo Rozkovec / musicserver.cz
The galleries were empty, as those who had originally occupied more distant places from the stage went straight to the surface. It was divided into sectors for sitting and ready for a big show and logically a bigger visit. Devin Townsend started the evening at a quarter to eight with his group, which, unlike his last visit to Roxy in Prague, was cut into a quartet. However, it was not known in the performance, on the contrary. This sympathetic Canadian, this time he lost his pomp in the form of palms and other properties, but he played an even more striking uncompromising nine-item set, which he took as a cross-section with his rich career. His played compositions mixed his typical brutal approach to metal, spiced with progression, with subtle keyboard underlines. Of course, all supported by his great singing and specific sense of humor. In a short time, Devin became the darling of the audience, and so it happened that he jumped with his guitar closer to the audience, which ran to him and formed a kind of semicircle around him. At that moment, it seemed that he was really playing and soloing just for them.
© Tom Jajo Rozkovec / musicserver.cz
His musical set was divided almost equally into compositions under which he is signed as a solo artist, as well as those from his Project. Although the selection of songs was slightly similar to what he played at Brutal Assault in 2017 and, paradoxically, none of his last successful series “Empath” sounded, it does not change the fact that it was a very successful pre-jump and choosing such an artist was definitely not a bad choice. . Really great start. Slightly before the announced star of the evening’s performance, symphonic reproduced music from the band’s workshop began to sound, and nature clips were displayed on the screen, describing themes from the current cover of the last album. In the meantime, the area was filled with people from more distant galleries. Here it is necessary to highlight the security, which managed it brilliantly to the satisfaction of all, because those who wanted to sit could and still not lose their perspective. Experience from past concerts says that this has rarely been the case. Hats off. And I don’t evaluate the decision to adapt this type of concert to a session at all …
© Tom Jajo Rozkovec / musicserver.cz
The Dream Theater itself took the stage very civilly, without any major gestures or stage spells. In the spotlight, the musicians greeted the audience and immediately dug into the strings. From the very beginning, the quintet let the audience know that it did not intend to compromise on its technical or sound qualities. The scene, which was dominated by Mangini’s relatively truncated drum kit and keyboards by Jordan Rudess, was adorned with several panel screens that complemented one large screen, which projected various, and it should be noted that very successful film clips. The parties filled in other screens with large spotlights, which already showed their strength during the first and very vigorously played song “The Alien”. The whole stage, free of any apparatus and cables, thus created a graceful, even surgically clean space with a kind of 3D effect. At times, it looked like the deck of an alien ship.
© Tom Jajo Rozkovec / musicserver.cz
The band seemed perfectly fine. Many times during the performance, John Petrucci conjured a smile on his lips and literally enchanted his guitar when he burned one solo after another, or instead let it resound in long tones, only then the gradation-enhanced musical motif merged. The Rhudess keyboardist turned and tilted his keys in various ways so that he would always be in the areas reserved for solo instruments. The stoic calm bassist John Myung drew attention to himself as much as possible by throwing his long mane and especially agile fingers, which ran down the fingerboard of his bass neck, otherwise he always stood slightly out of the main events. However, he made up for that in the song “6:00”, in which he created with his namesake battle postsin which, at the sound of a keyboardist, the etude scales were crushed in unison.
© Tom Jajo Rozkovec / musicserver.cz
An inseparable figure of the band is and was, of course, the frontman that night, the singer James LaBrie, who encouraged the audience at every opportunity. He sang his part and quietly disappeared behind the scenes to return full of energy after singing. His voice seemed firm, although he sang some parts slightly differently than we know them from the studios. Needless to say, it didn’t hurt. The sung, slightly altered parts took on a slightly different dimension, and in the quiet passages it sounded more civil, without great manners, almost a recital. The setlist was also interesting. Apart from four songs, including the final twenty-minute composition, from the latest album “A View from the Top of the World”, only six more were heard, the shortest of which lasted about six minutes. The first peak came with “Bridge in the Sky”, in which, although Mike Mangini had a technical problem with the drums, he still played brilliantly, as did the whole concert. And it should be noted – like the whole band. The composition “About to Crash” sounded beautiful. It was one of two calming downs, but here it was part of a larger and longer whole. After “The Ministry of Lost Souls” went to the finals. This provided the de facto forty-minute double track of the title track from the last album and after a storm of applause and maybe just a minute’s respite from the grand finale in the form of “The Count of Tuscany”.
© Tom Jajo Rozkovec / musicserver.cz
The show’s own point of view is certainly worth mentioning. Yes, Dream Theater are not wild boars, in fact, it wouldn’t even suit their music. Their music is thoughtful, sometimes harrowing, soothing and smooth, and definitely not accessible to every ear. It takes a while to experience the intricacies of their places, but if you don’t give up, you are rewarded with a musical beauty full of melodies and a sense of gradation. This is how their show worked. Although the light of Rammstein and Tool cannot match the light, however, these musicians are completely different musically. For me that night, Dream Theater, although their playlist numbered only ten items, some even surprising, played probably its most accessible set. And even though the sound from the place where I watched the performance was uneven in places, fortunately it became clearer from the middle, I evaluate the concert very positively. I can only say that I have not seen a bad concert this year. And this one was excellent. Just keep going.
We would like to thank the author of this post for this awesome content
LIVE: Dream Theater performed in Holešovice on their softer and more melodic note
It came out on May 27th Blocco 181 Original Soundtrackthe collaborative album he sees Salmo as the artistic director of the soundtrack of the new series Sky Original, Block 181.
Out for Sony Music the disc, also available in a standard autographed CD version as well as in a special deluxe edition.
Buy BLOCK 181 – ORIGINAL SOUNDTRACK (SIGNED CD)
the recording project
As we said BLOCCO 181 – ORIGINAL SOUNDTRACK consists of 11 songs, with the collaboration of 21 artists including rappers, musicians and producers, all chosen by Salmo among the most important on the Italian scene.
The songs are the background to the whole story, a hyper-realistic black tale that, amid generational conflicts, ambition and, above all, the struggle for the conquest of power, portrays a Milan that does not just frame the events of the series, but is true protagonist, especially in its more multi-ethnic and suburban neighborhoods.
Here are the names involved:
Guè (“LOCO”), Baby Gang (“9.19”), Jake The Fury e Rose Villain (“M.S.O.M.”), Next (“NO”), Lazza (“MI ANTHEM”), The Dicy Boy & Isaiah LM (“TAKE IT”), Hernia (“YOU OPEN”), Nero (“SICARIO”), Noyz Narcos (“UNDER ITEM”) e Drillionaire, Summer, Sixpm, Luciennn, Bobo, Night Skinny, Marco Azara, Andry The Hitmaker .
The traces LOCO, MI ANTHEM, WHISPER e 181 they are also present in eight episodes of the series, in the credits, along with the track BLOCK 181initials of the beginning of each episode.
This is the tracklist:
- Psalm – 181 (prod. Drillionaire, Summer)
- Guè – LOCO (prod. Sixpm)
- Baby Gang – 9.19 (prod. Luciennn, Bobo)
- Jake La Furia, Rose Villain – M.S.O.M. (prod. Night Skinny)
- Ensi – EZ (prod. Luciennn)
- Lazza – MI ANTHEM (prod. Salmo, Verano, Marco Azara)
- El Dicy Boy & Isaiah LM – TAKE IT (prod. Andry The Hitmaker, Summer)
- Hernia – OPEN (prod. Salmo, Luciennn, Verano)
- Nero – SICARIO (prod. Lucienne)
- Noyz Narcos – UNDER VOICE (prod. Night Skinny, Luciennn, Verano)
- Salmo, Luciennn, Verano – “BLOCK 181 – Title Track”
Click on continue below to tell the story of the album’s eleven tracks, song by song.
We would love to thank the writer of this write-up for this outstanding material
Block 181 Salmo, artistic director, involves 21 artists in the 11 tracks of the Sky series soundtrack. Listening guide
It came out on May 27th Blocco 181 Original Soundtrackthe collaborative album he sees Salmo as the artistic director of the soundtrack of the new series Sky Original, Block 181.
Out for Sony Music the disc, also available in a standard autographed CD version as well as in a special deluxe edition.
Buy BLOCK 181 – ORIGINAL SOUNDTRACK (SIGNED CD)
the recording project
As we said BLOCCO 181 – ORIGINAL SOUNDTRACK consists of 11 songs, with the collaboration of 21 artists including rappers, musicians and producers, all chosen by Salmo among the most important on the Italian scene.
The songs are the background to the whole story, a hyper-realistic black tale that, amid generational conflicts, ambition and, above all, the struggle for the conquest of power, portrays a Milan that does not just frame the events of the series, but is true protagonist, especially in its more multi-ethnic and suburban neighborhoods.
Here are the names involved:
Guè (“LOCO”), Baby Gang (“9.19”), Jake The Fury e Rose Villain (“M.S.O.M.”), Next (“NO”), Lazza (“MI ANTHEM”), The Dicy Boy & Isaiah LM (“TAKE IT”), Hernia (“YOU OPEN”), Nero (“SICARIO”), Noyz Narcos (“UNDER ITEM”) e Drillionaire, Summer, Sixpm, Luciennn, Bobo, Night Skinny, Marco Azara, Andry The Hitmaker .
The traces LOCO, MI ANTHEM, WHISPER e 181 they are also present in eight episodes of the series, in the credits, along with the track BLOCK 181initials of the beginning of each episode.
This is the tracklist:
- Psalm – 181 (prod. Drillionaire, Summer)
- Guè – LOCO (prod. Sixpm)
- Baby Gang – 9.19 (prod. Luciennn, Bobo)
- Jake La Furia, Rose Villain – M.S.O.M. (prod. Night Skinny)
- Ensi – EZ (prod. Luciennn)
- Lazza – MI ANTHEM (prod. Salmo, Verano, Marco Azara)
- El Dicy Boy & Isaiah LM – TAKE IT (prod. Andry The Hitmaker, Summer)
- Hernia – OPEN (prod. Salmo, Luciennn, Verano)
- Nero – SICARIO (prod. Lucienne)
- Noyz Narcos – UNDER VOICE (prod. Night Skinny, Luciennn, Verano)
- Salmo, Luciennn, Verano – “BLOCK 181 – Title Track”
Click on continue below to tell the story of the album’s eleven tracks, song by song.
We would love to thank the writer of this write-up for this outstanding material
Block 181 Salmo, artistic director, involves 21 artists in the 11 tracks of the Sky series soundtrack. Listening guide
The Bourbon Festival took place between the 20th and 22nd of May in Paraty, Rio de Janeiro.
Collaborated our columnist Adriana Arakake.
The night falls cold in the historic center of Paraty. A crowd walks through the alleys, lit to create mystery and curiosity, with bottles of wine in their hands, sold by street vendors at very honest prices. The irregular paving of the passages, ancient, confuses the feet revealing elevations, movements and unexpected sensations. As unexpected as the chords, beats and melodies that travel through the air in every corner, stimulating the ears of those who wander.
The mansions that line the streets channel the sound of the main stages, Matriz and Santa Rita, set up in front of the two main churches in the historic center, just 500 meters apart. But not only that. Added to these sources is the music that comes from small stages set up in hidden corners, the buskers, and that made by several street artists who occupy the crossroads of the paths, some of them with such talent, which would easily accredit them to the line-up. up of the 2022 edition of Bourbon Festival Paraty.
Walking through the festival’s attractions, therefore, is as magical as enjoying the shows brought by the organization. Added to this, as an auditory provocation of the route, are the sounds of conversations and laughter, the clinking of bottles and the lively chants heard by the bohemians inside the bars. You will hardly find another place in Brazil as charming for a jazz festival as Paraty, in Rio de Janeiro.
The public’s enchantment was shared by the festival’s artists. The New Orleans trombonist Delfeayo Marsalis, a member of an incredible family of jazz musicians (especially his brother, the trumpeter Winston), with his royal blue suit and white shoes, played one of the best shows of the festival, Sunday at the Matriz stage, and then wandered around the historic center, with an inseparable bag of popcorn in hand. The musician watched the performance of his colleague John Pizzarelli from the audience, amidst the curious looks of those nearby.
image: publicity
“I’m not leaving until six in the morning, so I have plenty of time to enjoy the city,” Marsalis said in an interview with Music Non Stop, straight from her dressing room after the show. Sympathetic and restrained, Delfeayo has the natural streak of the American jazz musician, however, appeased by his origins in New Orleans and mainly by having grown up in an absolutely musical environment.
“I love coming to Brazil. It’s always good. Always nice to meet people from here, so the show went exactly as I expected,” he replied when asked about his expectations. The answer was followed by everyone’s laughter. With all elegance and breaking the ice, Marsalis told us between the lines: I came and gave my message, something I do all my life.
Having fun after work, however, was not exclusive to the trombonist. The day before, the most crowded and emotional show of the entire festival was Tony Horta. Originally from Minas Gerais, he played at the first Clube da Esquina, a scene that was perceptibly on the rise in Paraty this weekend, and then won the world as a guitarist and guitarist. declared influence of Pat MethenyToninho moved to New York and played with the cream of jazz. George Benson, Herbie Hancock, Airto Moreira, Wayne Shorter and a lot more people. That didn’t stop him from teasing the passionate audience (made up of a lot of young people, by the way) with a “who’s going to buy me a beer after the show?”
And he was. He tucked himself into a bar near the stage, with half-closed doors and crowded space, baptized the well-deserved throat. We even asked him during the post-show chat if the after story was really true: “ah, at least I’ll take one, and now”, he replied.
“I came here with the joy of participating in a festival made by competent people working behind it, who give us all the technical and support conditions for us to do. So we’re already super calm. And there’s the thing about being Paraty, a historic city. I get tired of going (sic) to Ouro Preto, but there is no sea there!! And here is a wonder, right? We come and see these wonderful people” – Toninho told MNS.
photo: publicity
A highlight that stood out at the festival was the presence, at the front, of many young people. The Bourbon Festival Paraty is free. The stages are on the street and anyone can enter and leave the tents. However, there is a huge range of attractions beyond music. Go around the city, go in search of flirt, eat and drink in bars. The young people, however, were at the show, in front of the audience, singing along and with records in hand to be autographed.
John Bosco, the big attraction on Friday, enchanted in the same measure. Very full tent and everyone singing along to their songs from start to finish. In terms of headliners, Bosco and Horta reigned supreme. Brazilians.
Speaking of national attractions, an artist who wears the cover of great promise of jazz for the coming years is Joabe Reis, who performed on Saturday afternoon. The talented trombonist and his octet provided an elegant and impeccable show as always. Joabe is one of the most important musicians of current jazz in Brazil and has the help of exceptional musicians. He has an album released (Crew in Church) and recently released the single Homem Pássaro, in the company of the singer Paula Lima.
Later, during the bohemia (which journalists also adhere to in their coverage), Edgard Radesca, the passionate organizer of the festival, shared Joabe with us in a conversation circle and launched: “This guy here, in a few years will be conquering the world and will forget about me!”. Amid laughter, Joab assured him that he did not.
image: publicity
Coming and going during the day in Paraty had two particularly captivating attractions. One for the experience and dedication to dixieland, led by Orleans Street Jazz Bandand another by Favela Brassan NGO based in Santa Teresa (RJ) that teaches jazz to children and teenagers in Rio de Janeiro, an initiative by the British trumpeter Tom Ashe. Both roamed the city streets with their sound and in the case of Orleans, they even rode on a schooner, playing for astonished tourists who strolled along the edges of the channel that separates the center of the beach from the point.
We are proud, even more in an international jazz festival, of our bossa nova. intelligently, John Pizzarelli gave the audience what they wanted at one of the festival’s last shows, Sunday night. The guitarist has a history with Brazil and with bossa. He played several carioca standards and even made a session of his well-known Beatles reinterpretations on guitar.
“I came to Brazil for the first time in 1996, at the Free Jazz Festival. In 1998 I toured the clubs Bourbon (SP) and Mistura Fina (RJ). I couldn’t believe how amazing it was. I couldn’t believe it. Always something special. At this time (in bossa-nova), I only had one arrangement for Girl From Ipanema. I played it for the first time in 1998 and everyone sang along. Unbelievable. In 2014 I decided to make an entire bossa-nova record and years later I recorded another one. I’m a big fan of bossa and to do it right, all you need to do is call on really good people to play”. – tells us Pizzarelli.
John Pizzarelli talks looking deep into the eyes. Focusing, it seems, on the back of your interlocutor’s neck. The conversation follows easily, without haste and with a smile on the corner of his mouth, a seduction that makes us understand why the musician comes to Brazil so often. We are very fond of courtship, aren’t we?
Grooveriadrummer design Tuto Ferraz, closed the festival on Sunday entering almost one o’clock in the morning. A warrior audience stayed until the end, and watched a competent study of the groove proposed by the band.
The Bourbon Festival Paraty 2022 also had many other attractions. Check out the full lineup here and take our advice: get ready for the next edition.
We would like to thank the writer of this article for this amazing material
A city breathing music. We went to check out the Bourbon Festival
The Bourbon Festival took place between the 20th and 22nd of May in Paraty, Rio de Janeiro.
Collaborated our columnist Adriana Arakake.
The night falls cold in the historic center of Paraty. A crowd walks through the alleys, lit to create mystery and curiosity, with bottles of wine in their hands, sold by street vendors at very honest prices. The irregular paving of the passages, ancient, confuses the feet revealing elevations, movements and unexpected sensations. As unexpected as the chords, beats and melodies that travel through the air in every corner, stimulating the ears of those who wander.
The mansions that line the streets channel the sound of the main stages, Matriz and Santa Rita, set up in front of the two main churches in the historic center, just 500 meters apart. But not only that. Added to these sources is the music that comes from small stages set up in hidden corners, the buskers, and that made by several street artists who occupy the crossroads of the paths, some of them with such talent, which would easily accredit them to the line-up. up of the 2022 edition of Bourbon Festival Paraty.
Walking through the festival’s attractions, therefore, is as magical as enjoying the shows brought by the organization. Added to this, as an auditory provocation of the route, are the sounds of conversations and laughter, the clinking of bottles and the lively chants heard by the bohemians inside the bars. You will hardly find another place in Brazil as charming for a jazz festival as Paraty, in Rio de Janeiro.
The public’s enchantment was shared by the festival’s artists. The New Orleans trombonist Delfeayo Marsalis, a member of an incredible family of jazz musicians (especially his brother, the trumpeter Winston), with his royal blue suit and white shoes, played one of the best shows of the festival, Sunday at the Matriz stage, and then wandered around the historic center, with an inseparable bag of popcorn in hand. The musician watched the performance of his colleague John Pizzarelli from the audience, amidst the curious looks of those nearby.
image: publicity
“I’m not leaving until six in the morning, so I have plenty of time to enjoy the city,” Marsalis said in an interview with Music Non Stop, straight from her dressing room after the show. Sympathetic and restrained, Delfeayo has the natural streak of the American jazz musician, however, appeased by his origins in New Orleans and mainly by having grown up in an absolutely musical environment.
“I love coming to Brazil. It’s always good. Always nice to meet people from here, so the show went exactly as I expected,” he replied when asked about his expectations. The answer was followed by everyone’s laughter. With all elegance and breaking the ice, Marsalis told us between the lines: I came and gave my message, something I do all my life.
Having fun after work, however, was not exclusive to the trombonist. The day before, the most crowded and emotional show of the entire festival was Tony Horta. Originally from Minas Gerais, he played at the first Clube da Esquina, a scene that was perceptibly on the rise in Paraty this weekend, and then won the world as a guitarist and guitarist. declared influence of Pat MethenyToninho moved to New York and played with the cream of jazz. George Benson, Herbie Hancock, Airto Moreira, Wayne Shorter and a lot more people. That didn’t stop him from teasing the passionate audience (made up of a lot of young people, by the way) with a “who’s going to buy me a beer after the show?”
And he was. He tucked himself into a bar near the stage, with half-closed doors and crowded space, baptized the well-deserved throat. We even asked him during the post-show chat if the after story was really true: “ah, at least I’ll take one, and now”, he replied.
“I came here with the joy of participating in a festival made by competent people working behind it, who give us all the technical and support conditions for us to do. So we’re already super calm. And there’s the thing about being Paraty, a historic city. I get tired of going (sic) to Ouro Preto, but there is no sea there!! And here is a wonder, right? We come and see these wonderful people” – Toninho told MNS.
photo: publicity
A highlight that stood out at the festival was the presence, at the front, of many young people. The Bourbon Festival Paraty is free. The stages are on the street and anyone can enter and leave the tents. However, there is a huge range of attractions beyond music. Go around the city, go in search of flirt, eat and drink in bars. The young people, however, were at the show, in front of the audience, singing along and with records in hand to be autographed.
John Bosco, the big attraction on Friday, enchanted in the same measure. Very full tent and everyone singing along to their songs from start to finish. In terms of headliners, Bosco and Horta reigned supreme. Brazilians.
Speaking of national attractions, an artist who wears the cover of great promise of jazz for the coming years is Joabe Reis, who performed on Saturday afternoon. The talented trombonist and his octet provided an elegant and impeccable show as always. Joabe is one of the most important musicians of current jazz in Brazil and has the help of exceptional musicians. He has an album released (Crew in Church) and recently released the single Homem Pássaro, in the company of the singer Paula Lima.
Later, during the bohemia (which journalists also adhere to in their coverage), Edgard Radesca, the passionate organizer of the festival, shared Joabe with us in a conversation circle and launched: “This guy here, in a few years will be conquering the world and will forget about me!”. Amid laughter, Joab assured him that he did not.
image: publicity
Coming and going during the day in Paraty had two particularly captivating attractions. One for the experience and dedication to dixieland, led by Orleans Street Jazz Bandand another by Favela Brassan NGO based in Santa Teresa (RJ) that teaches jazz to children and teenagers in Rio de Janeiro, an initiative by the British trumpeter Tom Ashe. Both roamed the city streets with their sound and in the case of Orleans, they even rode on a schooner, playing for astonished tourists who strolled along the edges of the channel that separates the center of the beach from the point.
We are proud, even more in an international jazz festival, of our bossa nova. intelligently, John Pizzarelli gave the audience what they wanted at one of the festival’s last shows, Sunday night. The guitarist has a history with Brazil and with bossa. He played several carioca standards and even made a session of his well-known Beatles reinterpretations on guitar.
“I came to Brazil for the first time in 1996, at the Free Jazz Festival. In 1998 I toured the clubs Bourbon (SP) and Mistura Fina (RJ). I couldn’t believe how amazing it was. I couldn’t believe it. Always something special. At this time (in bossa-nova), I only had one arrangement for Girl From Ipanema. I played it for the first time in 1998 and everyone sang along. Unbelievable. In 2014 I decided to make an entire bossa-nova record and years later I recorded another one. I’m a big fan of bossa and to do it right, all you need to do is call on really good people to play”. – tells us Pizzarelli.
John Pizzarelli talks looking deep into the eyes. Focusing, it seems, on the back of your interlocutor’s neck. The conversation follows easily, without haste and with a smile on the corner of his mouth, a seduction that makes us understand why the musician comes to Brazil so often. We are very fond of courtship, aren’t we?
Grooveriadrummer design Tuto Ferraz, closed the festival on Sunday entering almost one o’clock in the morning. A warrior audience stayed until the end, and watched a competent study of the groove proposed by the band.
The Bourbon Festival Paraty 2022 also had many other attractions. Check out the full lineup here and take our advice: get ready for the next edition.
We would like to thank the writer of this article for this amazing material
A city breathing music. We went to check out the Bourbon Festival
Němečtí veteráni Scorpions sice před lety ohlásili svůj definitivní konec, své slovo ale naštěstí pro fanoušky nedodrželi. Letos vydali novou desku “Rock Believer”, se kterou vyrazili na velkolepé turné. Jednou ze zastávek byla i pražská O2 arena a my tam nemohli chybět.
Live: Scorpions
místo: O2 arena, Praha
datum: 26. června 2022
support: The Agony
setlist: Gas in the Tank, Make It Real, The Zoo, Coast to Coast, Seventh Sun, Peacemaker, Bad Boys Running Wild, The Language of My Heart, Send Me an Angel, Wind of Change, Rock Believer, Tease Me Please Me, New Vision, Blackout, Big City Nights, Still Loving You, Rock You Like a Hurricane
Fotogalerie
Spoustu CD a vinylů z rozsáhlé diskografie Scorpions, včetně novinky “Rock Believer”, si můžete koupit v našem shopu.
© Vojta Florian / Musicserver.cz
Návrat fanoušků do klubů a hal není tak snadný, jak jsme všichni doufali, a ani O2 arena nebyla na vystoupení evropské hardrockové legendy úplně zaplněná, byť k tomu neměla daleko. Skladba návštěvníků byla každopádně předvídatelná, jádro tvořili starší rockeři v džínových bundách s nášivkami Iron Maiden, Judas Priest nebo právě Scorpions. Ale našla se i celá řada mladších ročníků, dokonce i těch náctiletých, kteří si hrdě kupovali kapelní merch.
Večer otevíral dívčí kvartet The Agony. Předkapela byla vybrána z ankety, kdy ji do užšího výběru společně s dalšími několika formacemi vybrali fanoušci, ze kterých si pak tyto holky vybrali už samotní Scorpions. Porazily třeba i populární rockery Krucipüsk, kteří se do ankety rovněž přihlásili. Pro The Agony tak jde o ohromný úspěch, který si muzikantky na pódiu náležitě užily.
Jejich téměř půlhodinový set měl docela šťávu. Poctivý hardrock klasického střihu s přesahem do metalu přítomné bavil a cenil výrazné kytarové riffy. The Agony jsou sice hlavně klubovou formací, ale s velikostí O2 areny si poradily více než dobře a svou úlohu splnily znamenitě.
© Vojta Florian / Musicserver.cz
Scorpions začali s německou precizností přesně na čas. Po stržení opony s logem kapely se vtipně objevila další s nápisem “Are You Ready To Rock?”. Za ní už se ale skrývaly skutečně hlavní hvězdy, kteří hned zkraje daly ochutnat z nové desky “Rock Believer”. Skladba “Gas in the Tank” je nejtvrdším kouskem novinky a na rozjezd koncertu dobrou volbou. Nicméně konzervativní fanoušci nové písně příliš nevítali. Alespoň jejich reakce byla spíš vlažnější.
Společně s první písní si ale diváci mohli užít ohromné obrazovky s trochu kýčovitou, ale velice efektní grafikou, která se s každou skladbou měnila. Hned s otevírákem jsme tak mohli sledovat obřího digitálního škorpiona klapajícího klepety do rytmu bicích Mikkeyho Dee.
Kapela kromě “Gas in the Tank” zahrála další čtyři novinky rozházené po celé délce setlistu. Nechyběly ani singly “Peacemaker” nebo titulní “Rock Believer”. Úsměvný moment nastal při akusticky zahrané “The Language of My Heart”, kterou kapela do svého programu zařadila teprve podruhé. Zpěvák Klaus Meine se totiž krátce po jejím začátku zasekl a zapomněl text. S úsměvem se fanouškům omluvil s vysvětlením, že se jedná o novinku. I ti nejzkušenější rockeři se holt někdy spletou.
© Vojta Florian / Musicserver.cz
Podruhé už to klaplo a poklidná balada přenechala prostor jednomu z největších hitů formace “Send Me an Angel”, který si zazpívala i celá aréna. Další hit “Wind of Change” pak kapela věnovala Ukrajině, a dokonce v její prospěch pozměnila text. Na obrazovkách se na závěr objevil symbol míru ve známých žlutomodrých barvách.
Ještě než došlo na dva přídavky, v podobě další balady “Still Loving You” a samozřejmě hymny “Rock You Like a Hurricane”, střihl si výtečné sólo nejdříve basák Paweł Mąciwoda, ale především bubeník Mikkey Dee, který řádil na pódiu dobrých patnáct minut.
Pokud Klaus Maine a jeho parta ten den sledovala hokejovou prohru Německa s naší reprezentací, na jejich výkonu to nebylo znát. Nechyběly osvědčené recepty v podobě svíticí české vlajky, několika slov v naší řeči či projevení úlevy nad koncem pandemie. Kytarista Rudolf Schenker navíc kromě svého instrumentálního řádění potěšil tričkem z našeho hlavního města.
© Vojta Florian / Musicserver.cz
Scorpions, i přes možná trochu chladnější publikum, odehráli povedený koncert. Sama kapela se snažila, běhala po pódiu, burcovala fanoušky a klacky pod nohy jim neházel ani zvukař, který v někdy komplikované O2 areně odvedl dobrou práci. Po devadesáti minutách se divák mohl odebral domů s pocitem, že viděl kus rockové historie a slyšet hity, které nestárnou. A asi ani nezestárnou, přestože některé z nich brzy oslaví půlstoletí.
We would love to thank the author of this write-up for this incredible material
NAžIVO: Scorpions v O2 areně vyzývali k míru rock’n’rollem
Němečtí veteráni Scorpions sice před lety ohlásili svůj definitivní konec, své slovo ale naštěstí pro fanoušky nedodrželi. Letos vydali novou desku “Rock Believer”, se kterou vyrazili na velkolepé turné. Jednou ze zastávek byla i pražská O2 arena a my tam nemohli chybět.
Live: Scorpions
místo: O2 arena, Praha
datum: 26. června 2022
support: The Agony
setlist: Gas in the Tank, Make It Real, The Zoo, Coast to Coast, Seventh Sun, Peacemaker, Bad Boys Running Wild, The Language of My Heart, Send Me an Angel, Wind of Change, Rock Believer, Tease Me Please Me, New Vision, Blackout, Big City Nights, Still Loving You, Rock You Like a Hurricane
Fotogalerie
Spoustu CD a vinylů z rozsáhlé diskografie Scorpions, včetně novinky “Rock Believer”, si můžete koupit v našem shopu.
© Vojta Florian / Musicserver.cz
Návrat fanoušků do klubů a hal není tak snadný, jak jsme všichni doufali, a ani O2 arena nebyla na vystoupení evropské hardrockové legendy úplně zaplněná, byť k tomu neměla daleko. Skladba návštěvníků byla každopádně předvídatelná, jádro tvořili starší rockeři v džínových bundách s nášivkami Iron Maiden, Judas Priest nebo právě Scorpions. Ale našla se i celá řada mladších ročníků, dokonce i těch náctiletých, kteří si hrdě kupovali kapelní merch.
Večer otevíral dívčí kvartet The Agony. Předkapela byla vybrána z ankety, kdy ji do užšího výběru společně s dalšími několika formacemi vybrali fanoušci, ze kterých si pak tyto holky vybrali už samotní Scorpions. Porazily třeba i populární rockery Krucipüsk, kteří se do ankety rovněž přihlásili. Pro The Agony tak jde o ohromný úspěch, který si muzikantky na pódiu náležitě užily.
Jejich téměř půlhodinový set měl docela šťávu. Poctivý hardrock klasického střihu s přesahem do metalu přítomné bavil a cenil výrazné kytarové riffy. The Agony jsou sice hlavně klubovou formací, ale s velikostí O2 areny si poradily více než dobře a svou úlohu splnily znamenitě.
© Vojta Florian / Musicserver.cz
Scorpions začali s německou precizností přesně na čas. Po stržení opony s logem kapely se vtipně objevila další s nápisem “Are You Ready To Rock?”. Za ní už se ale skrývaly skutečně hlavní hvězdy, kteří hned zkraje daly ochutnat z nové desky “Rock Believer”. Skladba “Gas in the Tank” je nejtvrdším kouskem novinky a na rozjezd koncertu dobrou volbou. Nicméně konzervativní fanoušci nové písně příliš nevítali. Alespoň jejich reakce byla spíš vlažnější.
Společně s první písní si ale diváci mohli užít ohromné obrazovky s trochu kýčovitou, ale velice efektní grafikou, která se s každou skladbou měnila. Hned s otevírákem jsme tak mohli sledovat obřího digitálního škorpiona klapajícího klepety do rytmu bicích Mikkeyho Dee.
Kapela kromě “Gas in the Tank” zahrála další čtyři novinky rozházené po celé délce setlistu. Nechyběly ani singly “Peacemaker” nebo titulní “Rock Believer”. Úsměvný moment nastal při akusticky zahrané “The Language of My Heart”, kterou kapela do svého programu zařadila teprve podruhé. Zpěvák Klaus Meine se totiž krátce po jejím začátku zasekl a zapomněl text. S úsměvem se fanouškům omluvil s vysvětlením, že se jedná o novinku. I ti nejzkušenější rockeři se holt někdy spletou.
© Vojta Florian / Musicserver.cz
Podruhé už to klaplo a poklidná balada přenechala prostor jednomu z největších hitů formace “Send Me an Angel”, který si zazpívala i celá aréna. Další hit “Wind of Change” pak kapela věnovala Ukrajině, a dokonce v její prospěch pozměnila text. Na obrazovkách se na závěr objevil symbol míru ve známých žlutomodrých barvách.
Ještě než došlo na dva přídavky, v podobě další balady “Still Loving You” a samozřejmě hymny “Rock You Like a Hurricane”, střihl si výtečné sólo nejdříve basák Paweł Mąciwoda, ale především bubeník Mikkey Dee, který řádil na pódiu dobrých patnáct minut.
Pokud Klaus Maine a jeho parta ten den sledovala hokejovou prohru Německa s naší reprezentací, na jejich výkonu to nebylo znát. Nechyběly osvědčené recepty v podobě svíticí české vlajky, několika slov v naší řeči či projevení úlevy nad koncem pandemie. Kytarista Rudolf Schenker navíc kromě svého instrumentálního řádění potěšil tričkem z našeho hlavního města.
© Vojta Florian / Musicserver.cz
Scorpions, i přes možná trochu chladnější publikum, odehráli povedený koncert. Sama kapela se snažila, běhala po pódiu, burcovala fanoušky a klacky pod nohy jim neházel ani zvukař, který v někdy komplikované O2 areně odvedl dobrou práci. Po devadesáti minutách se divák mohl odebral domů s pocitem, že viděl kus rockové historie a slyšet hity, které nestárnou. A asi ani nezestárnou, přestože některé z nich brzy oslaví půlstoletí.
We would love to thank the author of this write-up for this incredible material
NAžIVO: Scorpions v O2 areně vyzývali k míru rock’n’rollem
Pagelle nuovi singoli italiani in uscita il 27 maggio 2022 a cura di Fabio Fiume.
Settimana di uscite importantissime! Molti big si mettono in carreggiata alla volta della bella stagione e della conquista dei più caldi palchi radio e tv. Il mio impegno come sempre, nella natura di All Music Italia tutta, è però non trascurare gli emergenti, quindi anche questa settimana ce ne sono un bel po’ esaminati assieme ai colleghi più illustri e dalle carriera più longeve.
Ricordo come sempre che i voti numerici espressi al termine delle mini recensioni non mettono in alcuna correlazione artisti diversi fra loro. Esso esprime il valore dato alla canzone in base alla carriera di chi la propone ed al suo di percorso. Esempio: se a Tizio do 4, a Caio 6 e a Sempronio 8 non è che la canzone di Tizio è inferiore a quella di Caio e Sempronio, ma solo che nella carriera di Tizio quel pezzo si va a posizionare fra le cose trascurabili, in quella di caio il brano proposto è nella media delle sue cose mentre quello di Sempronio è fra le cose migliori della sua di carriera.
Inoltre, e sono un po’ costretto a specificarlo, che la mia scala voto va dal Tre all’Otto. Rarissimamente ho dato un Due e laddove è accaduto, significa che ho ascoltato una bruttura su cui non riesco nemmeno ad argomentare, e rarissimamente vado sopra all’otto e significa chiaramente che non trovo sufficiente appellare come bella e nemmeno bellissima una canzone, ma penso di aver ascoltato qualcosa che meriti di essere ricordata nella storia. Raro, molto raro.
Spiegazioni d’obbligo richieste date, ecco a voi le pagelle nuovi singoli del 27 maggio.
Antartica – Blu
Pezzo easy, molto giovanilistico sia per testo che per arrangiamento, ma proporzionato alla voce del vocalist. E’ chiaro che è per un pubblico altrettanto giovane, con però la voglia di sentire anche qualche strumento suonare per davvero e non accontentarsi di un pc di una cameretta che tira fuori suoni spesso monocordi. Devono comunque sicuramente crescere, ma una possibilità di far bene c’è.
Sei
Biagio Antonacci – Seria
Uscita estemporanea questa che segna il ritorno di Antonacci, per la prima volta, almeno per il momento, slegata da un album che dovrebbe invece vedere la luce a fine anno. Si tratta di un divertissement estivo, un pezzo su base dance che non aveva motivi sufficienti di attesa per non esser lanciato nella bella stagione. E proprio come divertissement, non ha pretese d’ancorarsi fra le canzoni importanti della sua carriera ma solo quella di essere vissuta come colonna sonora di un’estate finalmente normale… sperando che lo sia davvero!
Sei
Massimo Bigi & Andrea Mirò – Le ombre della sera
Molto curata nell’arrangiamento che mette assieme una strumentazione varia ed ahi noi ormai poco, ma proprio poco usata. La differenza però si sente tutta: un pc non riesce mai a sostituire il calore di un’acustica reale. La storia è qui malinconica con ricordi che portano lontano e che la voce della Mirò sembra rendere visibili, reali. Forse senza il suo intervento il pezzo avrebbe perso quel pathos che invece arriva, essendo la voce di Bigi più monocolore. Non è chiaramente un pezzo da classifica o da playlist radiofonica, però seduti su un divano ad ascoltare in sottofondo…
Senza Voto
Serena Brancale & Rochelle – Like A Melody
Quanto è piaciuto Sam Smith alla Brancale? Va bé, fortuna qui in Italia non ci sono tutti questi artisti che sappiano andare su quelle corde li, quindi ben venga. Il pezzo è caldo, forse più adatto ad un periodo autunnale che all’estate in arrivo, ma conferma il talento vivo delle due artiste unite qui in collaborazione. Sicuramente per un pubblico più maturo di quello di spotify. PS: troppo breve, troppo.
Sei
Michele Bravi – Zodiaco
Dopo l’eccellente prova sanremese, sicuramente però più seriosa, Michele riveste nuovamente i suoi anni con un up tempo gioviale, ironico sul mondo delle stelle e su quanto queste ci possano influenzare leggendo dei loro movimenti. Di sicuro non grido personalmente al miracolo come in quel del festival, ma il cantautore umbro dimostra di saper dosare sensibilità e leggerezza e dispensarle quando serve. In estate un pezzo che non cerchi chissà quali reconditi pensieri nell’ascoltatore, di smuovere sensibilità, ci può senz’altro stare.
Sei
Vasco Brondi – Va dove ti esplode il cuore
Torna con un pezzo malinconico il vocalist de’ Le Luci Della Centrale Elettrica e la sua malinconia è figlia di un periodo musicale che è passato e, nonostante faccia da base a tutta la cultura venuta dopo, sembra irrimediabilmente andato. Si parla di sala prove, di sogni di una provincia che pulsava, che inseguiva i sogni e la speranza è data dal fatto che sebbene un giorno dovremo morire, di sicuro tutti gli altri giorni no! Non per le masse.
Sette
Chiara – Un’estate fa
E’ questa una canzone che è stata tanto cantata nel tempo: Califano, Mina, Delta V solo per indicare i primi che mi vengono in mente e trovare una nuova veste non era certo cosa semplice. Ci è riuscita però Chiara Galiazzo che è riuscita a fornire un tocco di modernità e personalità al pezzo senza snaturarne quel sentimento evocativo, quella sensazione malinconica dei ricordi di un tempo che fu bello. Mancava da un po’ Chiara e devo ammettere che non ho pensato bene quando ho letto che ripartiva da una cover. Bello ricredersi però se le cose sono fatte bene, sono fatte così.
Sette
Cyrus Yung – Rockstar
Si, però non si può pensare di ascoltare una canzone tenendo sempre un testo fra le mani! Si capisce pochissimo di questo pezzo di quel che dice fra effetti vocali che modificano la voce, clap che la coprono, accenti modificati a piacimento ( e sono fine ) e diverse parole “slangate”. C’è energia, c’è idea, ma davvero non si può afferrare una frase ogni tre!
Quattro
Folcast – Lifting
Continua a crescere la proposta cantautorale di Folcast che riesce anche qui a trovare il giusto connubio fra orecchiabilità squisitamente pop, una padronanza di linguaggio che gli permette di non esser banale nel testo e un arrangiamento che sa guardare anche a mondi più lontani dove il folk è più di casa. I media non se ne sono ancora accorti come dovrebbero.
Sette
GionnyScandal – Boom
Questo pezzo ha tutte le prerogative per candidarsi fra i potenziali successi della prossima estate. Musicalmente parte dal tanto vituperato reggaeton e lo potenzia con la cassa in quattro e suoni clubbing. Per il testo invece non si è certo scritto i promessi sposi e del resto nessuno lo pretendeva. E’ un riempipista spensierato, sufficiente alla causa e nulla più.
Sei
Il Giardiniere Di Serpenti – Elefante
Proposta elettronica che ha dell’interessante. La metrica della canzone di snoda su una serie di scariche e mi ha fatto pensare ad alcune cose di Samuel da solista, mentre il modo di cantare si va a porre esattamente a metà fra un approccio quasi aulico, alla Battiato e qualcosa di più corposo, alla Sarcina. Forse è perché nel trio non c’è solo una voce? Può essere. Di Sicuro il progetto può avere la sua da dire. Inizio senz’altro sufficiente, anche più.
Sei+
Clicca in basso su continua per la seconda e ultima parte delle pagelle nuovi singoli del 27 maggio 2022.
La Rua – Sotto un treno
Strana quest’uscita dei La Rua. Strana perché scelgono una ballata problematica nel testo, loro che avevano sempre scelto la leggerezza come liet motiv della produzione. Strana perché magari non era questa la canzone che ti attenderesti per l’estate. Ma se fosse questa invece la mossa azzeccata? Il pezzo è di fatto convincente, giustamente arrabbiato per quel che racconta. Perché un amore quando finisce non è fatto certo di auguri di buona vita, ma spesso e anzi soprattutto, di doversi leccare le ferite, uscire da sotto un treno, notti insonni. E certe cose non possono essere cantate in maniera scanzonata; on danno lo stesso effetto.
Sette
Leon Faun – Pioggia
Il rap di Faun è qui nel testo arrabbiato, anche se la cosa può essere rintracciata nelle liriche più che nella sua prestazione vocale che fortunatamente non è incazzata come gran parte di quella dei colleghi. La base gira attorno ad una linea di chitarra che detta le evoluzioni ed i cambi d’intenzione e su cui si appoggia un beat synth come è tradizione di stile. Non male ma troppo breve, troppo.
Sei=
Marlene Kuntz – La Fuga
L’inizio di questo brano, parlo dell’incipit musicale, mi ha fatto pensare a quelle sigle di cartoni animati ambientati nei canyon americani fra cowboy, sceriffi e pistole con la voce poi impostata alla Nico Fidenco a cantare le parole. Poi parte la voce di Godano e si va altrove. Si parla dei problemi climatici, della nostra terra che sta rischiando e noi con lei, il tutto in un crescendo musicale che mostra anche una certa rabbia, forse utile per far arrivare il messaggio. Chiaramente per un pubblico adulto per davvero e non per bambini cresciuti.
Sette
Meg – Fortefragile
Sempre originale Meg, sempre riconoscibile al contempo. Come ci riesce? Mantenendo la sua peculiarità vocale, quella di una scansione di sillabe, allunghi sulle vocali e poi contrazioni improvvise, ma appropriandola ad un mondo musicale sempre in movimento, scegliendo di non esserci con costanza ma esaurendo le cose da dire spremendo il limone. Si ferma, ricerca, elabora, poi torna. E puntualmente ci fa chiedere dove si fosse andata a nascondere.
Otto
Michele Merlo – Farfalle
Quando ti trovi dinanzi ad un brano che ha vissuto questa storia per uscire, quella di un giovane autore ed interprete che non c’è più, hai paura di essere condizionato nel giudicarla, di lasciarti confondere, imbonire dall’assenza che magari dona maggior valore alla prova. Però poi quando ti ritrovi davanti ad una prova buona, tiri quasi un sospiro di sollievo.
Michele Merlo aveva sicuramente tante cose ancora da correggere sul suo cammino verso una vita di musica, ma aveva talento che qui ha lasciato come testamento. Un testo graffiante, pieno di realtà e figurazioni al contempo, crudo, snocciolato come un rap da uno che non era un rapper, ma che forse aveva bisogno di dire troppe cose per comprimerle in una strofa pop. Non sarebbe stato forse questo il brano della vita, del successo popolare, ma poteva essere la finestra che si apriva sulla sua musica, che richiamasse il riflettore su di lui.
Sette
Tommaso Paradiso – Piove in discoteca
Sound 80, così come l’enfatizzazione sulla voce che però è cosa piuttosto solita per Tommaso. C’è una storia d’amore raccontata con una scenografia alle spalle decisamente identificativa che pure non riesce a dare alla canzone quel corpo di verità che invece delle coordinate così precise, il golfo di Napoli, avrebbero dovuto concedere. Il discorso resta infatti un po’ sognante, forse addirittura trasognato e quindi un po’ inconcludente. Dalla sua però i bei suoni usati, quelli si molto evocativi, e un’orecchiabilità che rende il pezzo canticchiabile subito.
Sei
Pinguini Tattici Nucleari – Giovani wannabe
L’allegria è sempre alla base della proposta della band bergamasca, così come la positività. Ed è evidente che il termine “wannabe” del titolo non si riferisca al cercare ad ogni modo di essere giovani ( come tra l’altro sono ) ma alla voglia di ricercare cosa essere esattamente, cercare il proprio posto. Dal punto di vista musicale è un up tempo frizzante in linea con la stagione in arrivo, sicuramente piacevole ma anche piuttosto prevedibile. Nelle loro corde senza novità di rilievo.
Sei
Piove – Fuoco
Non farsi capire è diventato il nuovo tocco di modernità? Cerchiamo di non esagerare però, Sinceramente mi sembra di sentire un robot o la colonna sonora di un videogioco inceppato. La prima strofa in particolare è incapibile. Cosa dovrebbe restare da tutto questo?
Tre
Quasi – Iqos
Pezzo volutamente leggero, risposta al periodo di chiusura che ci si può lasciare alle spalle magari solo camminando fra la gente, avere voglia di uscire solo perché c’è il sole, oppure perché si ha voglia di tenere in mano una birra mentre percepisci il discorso di quelli alle tue spalle e fumi la tua elettronica riempiendo il circondario di fumo. E’ una positività non stupida e, pur dicendo cose estremamente semplici, quanti di noi, dopo quello che abbiamo vissuto non ne hanno davvero voglia?
Sei 1/2
Rhove – LaProvince #2
Indubbiamente fra i personaggi più forti di questo periodo, Rhove resta per me un mistero. E non si tratta di essere Boomer, come dice la sua generazione di tutti quelli che bastano abbiano superato i tre decenni di vita, ma proprio perché se provo a scomporre un pezzo del genere non mi resta nulla. Non c’è musica ma solo un beat ripetuto ossessivamente, non c’è testo che abbia modo di legarsi alla vita e gli stessi ragazzi che oggi lo apprezzano per via degli slang, già domani non si ritroveranno più in questi stessi modi di dire, non c’è voce, non c’è un timbro riconoscibile, non c’è tutto quello che potrebbe differenziarlo da mio nipote che, di tanto in tanto, tira fuori un beat da YouTube e mi rima sopra qualcosa e mi dice: “zio ti piace questa mia nuova canzone“? Ecco mio nipote per fortuna la smette li! Detto questo, sarà sicuramente come minimo disco di platino.
Tre
Andrea Sannino & Franco Ricciardi – Te voglio troppo bene
Molto Ricciardi e meno Sannino, ( che si fa quasi fatica a riconoscere ), questo pezzo che mette assieme due cantori molto amati di Napoli. Racconta di quando una paura bussa alla porta, di quali parole un uomo con gli amori di una vita da proteggere si serve per accettare di andare a combattere. E le guerre sono tante nella vita, anche quella vera che ha bussato alle porte dell’Europa e ci fa sentire insicuri. Mentre Franco resta in una confort zone tutta urban a cui ci ha abituato e che gli calza a pennello, Andrea appare qui molto meno classico, più propenso verso sonorità che mai gli sono appartenute prima d’ora. Anche il fraseggio chiaramente cambia: meno note lunghe, armoniose e perfette, più ritmica e battute sul tempo. E la cosa gli serviva. Riuscita.
Sette
Swch – Reset
Interessante cambio stile per Rod Mannara, che giacché si trovava, cambia anche identità artistica in Swch. Ed il nome è sicuramente più adatto allo stile intrapreso: un’elettronica che ha chiare radici provenienti dalla parte conclusiva degli 80 che la sua voce, un filo algida, trasporta ancor più dietro, fino all’inizio del decennio. Il pezzo trova il suo perché nell’inciso che gli permette una maggiore possibilità di canto e nei bei suoni scelti, un po’ meno invece nelle strofe, impostate in maniera troppo statica per poter andar fuori da un meccanismo quasi robotico. Più che sufficiente comunque.
Sei+
Ultimo – Vieni nel mio cuore
Voglia d’internazionalità nella nuova proposta di Ultimo che rinuncia al suo fare ansiolitico, divenuto fin troppo prevedibile, per farsi sorpassare dal sound, che diventa serrato molto e più del suo cantare. Il pezzo ricorda un po’ “Hold Back The River” di James Bay, ma si tratta di un passaggio che è perdonabile soprattutto perché il brano in questione ci regala un artista da riscoprire che invece avevamo un po’ perso, o forse semplicemente me l’ero perso io, con buona pace sua che ha continuato a fare molto successo.
Sta di fatto che io sono contento di questo pezzo, di questa batteria, di questa ritmica, del senso positivo del testo, della voglia d’amore che comunica, di un amore che non fa male, che non è malato ma che è vivo, pulsante e conduce in un posto migliore. Te lo posso dire bravo?
Otto
Margherita Vicario – Onde
Allora devo subito specificare che trovo questo pezzo carinissimo, che è una canzone che in una compilation estiva metterei ad occhi chiusi, sapendo che in macchina mentre si va al mare ci si divertirà a cantare, però… Però credo che a Margherita sia piaciuta, un pochetto Bagno a Mezzanotte di Elodie ed ancor di più, La Rappresentante Di Lista e la sua proposta sanremese Ciao Ciao. Del resto come potrebbe non esserle piaciuta visto che l’ha cantata tutta Italia? Il problema è proprio li, che la stiamo ancora tutti cantando. Con dispiacere e con tanta voglia di cantarla ma…
Quattro
L’articolo Le Pagelle ai nuovi Singoli italiani in Uscita Venerdi 27 Maggio: Ultimo e Meg conquistano e sorprendono. Voto rosso per Vicario e Rhove proviene da All Music Italia.
We want to say thanks to the writer of this short article for this amazing web content
Le Pagelle ai nuovi Singoli italiani in Uscita Venerdi 27 Maggio: Ultimo e Meg conquistano e sorprendono. Voto rosso per Vicario e Rhove
Pagelle nuovi singoli italiani in uscita il 27 maggio 2022 a cura di Fabio Fiume.
Settimana di uscite importantissime! Molti big si mettono in carreggiata alla volta della bella stagione e della conquista dei più caldi palchi radio e tv. Il mio impegno come sempre, nella natura di All Music Italia tutta, è però non trascurare gli emergenti, quindi anche questa settimana ce ne sono un bel po’ esaminati assieme ai colleghi più illustri e dalle carriera più longeve.
Ricordo come sempre che i voti numerici espressi al termine delle mini recensioni non mettono in alcuna correlazione artisti diversi fra loro. Esso esprime il valore dato alla canzone in base alla carriera di chi la propone ed al suo di percorso. Esempio: se a Tizio do 4, a Caio 6 e a Sempronio 8 non è che la canzone di Tizio è inferiore a quella di Caio e Sempronio, ma solo che nella carriera di Tizio quel pezzo si va a posizionare fra le cose trascurabili, in quella di caio il brano proposto è nella media delle sue cose mentre quello di Sempronio è fra le cose migliori della sua di carriera.
Inoltre, e sono un po’ costretto a specificarlo, che la mia scala voto va dal Tre all’Otto. Rarissimamente ho dato un Due e laddove è accaduto, significa che ho ascoltato una bruttura su cui non riesco nemmeno ad argomentare, e rarissimamente vado sopra all’otto e significa chiaramente che non trovo sufficiente appellare come bella e nemmeno bellissima una canzone, ma penso di aver ascoltato qualcosa che meriti di essere ricordata nella storia. Raro, molto raro.
Spiegazioni d’obbligo richieste date, ecco a voi le pagelle nuovi singoli del 27 maggio.
Antartica – Blu
Pezzo easy, molto giovanilistico sia per testo che per arrangiamento, ma proporzionato alla voce del vocalist. E’ chiaro che è per un pubblico altrettanto giovane, con però la voglia di sentire anche qualche strumento suonare per davvero e non accontentarsi di un pc di una cameretta che tira fuori suoni spesso monocordi. Devono comunque sicuramente crescere, ma una possibilità di far bene c’è.
Sei
Biagio Antonacci – Seria
Uscita estemporanea questa che segna il ritorno di Antonacci, per la prima volta, almeno per il momento, slegata da un album che dovrebbe invece vedere la luce a fine anno. Si tratta di un divertissement estivo, un pezzo su base dance che non aveva motivi sufficienti di attesa per non esser lanciato nella bella stagione. E proprio come divertissement, non ha pretese d’ancorarsi fra le canzoni importanti della sua carriera ma solo quella di essere vissuta come colonna sonora di un’estate finalmente normale… sperando che lo sia davvero!
Sei
Massimo Bigi & Andrea Mirò – Le ombre della sera
Molto curata nell’arrangiamento che mette assieme una strumentazione varia ed ahi noi ormai poco, ma proprio poco usata. La differenza però si sente tutta: un pc non riesce mai a sostituire il calore di un’acustica reale. La storia è qui malinconica con ricordi che portano lontano e che la voce della Mirò sembra rendere visibili, reali. Forse senza il suo intervento il pezzo avrebbe perso quel pathos che invece arriva, essendo la voce di Bigi più monocolore. Non è chiaramente un pezzo da classifica o da playlist radiofonica, però seduti su un divano ad ascoltare in sottofondo…
Senza Voto
Serena Brancale & Rochelle – Like A Melody
Quanto è piaciuto Sam Smith alla Brancale? Va bé, fortuna qui in Italia non ci sono tutti questi artisti che sappiano andare su quelle corde li, quindi ben venga. Il pezzo è caldo, forse più adatto ad un periodo autunnale che all’estate in arrivo, ma conferma il talento vivo delle due artiste unite qui in collaborazione. Sicuramente per un pubblico più maturo di quello di spotify. PS: troppo breve, troppo.
Sei
Michele Bravi – Zodiaco
Dopo l’eccellente prova sanremese, sicuramente però più seriosa, Michele riveste nuovamente i suoi anni con un up tempo gioviale, ironico sul mondo delle stelle e su quanto queste ci possano influenzare leggendo dei loro movimenti. Di sicuro non grido personalmente al miracolo come in quel del festival, ma il cantautore umbro dimostra di saper dosare sensibilità e leggerezza e dispensarle quando serve. In estate un pezzo che non cerchi chissà quali reconditi pensieri nell’ascoltatore, di smuovere sensibilità, ci può senz’altro stare.
Sei
Vasco Brondi – Va dove ti esplode il cuore
Torna con un pezzo malinconico il vocalist de’ Le Luci Della Centrale Elettrica e la sua malinconia è figlia di un periodo musicale che è passato e, nonostante faccia da base a tutta la cultura venuta dopo, sembra irrimediabilmente andato. Si parla di sala prove, di sogni di una provincia che pulsava, che inseguiva i sogni e la speranza è data dal fatto che sebbene un giorno dovremo morire, di sicuro tutti gli altri giorni no! Non per le masse.
Sette
Chiara – Un’estate fa
E’ questa una canzone che è stata tanto cantata nel tempo: Califano, Mina, Delta V solo per indicare i primi che mi vengono in mente e trovare una nuova veste non era certo cosa semplice. Ci è riuscita però Chiara Galiazzo che è riuscita a fornire un tocco di modernità e personalità al pezzo senza snaturarne quel sentimento evocativo, quella sensazione malinconica dei ricordi di un tempo che fu bello. Mancava da un po’ Chiara e devo ammettere che non ho pensato bene quando ho letto che ripartiva da una cover. Bello ricredersi però se le cose sono fatte bene, sono fatte così.
Sette
Cyrus Yung – Rockstar
Si, però non si può pensare di ascoltare una canzone tenendo sempre un testo fra le mani! Si capisce pochissimo di questo pezzo di quel che dice fra effetti vocali che modificano la voce, clap che la coprono, accenti modificati a piacimento ( e sono fine ) e diverse parole “slangate”. C’è energia, c’è idea, ma davvero non si può afferrare una frase ogni tre!
Quattro
Folcast – Lifting
Continua a crescere la proposta cantautorale di Folcast che riesce anche qui a trovare il giusto connubio fra orecchiabilità squisitamente pop, una padronanza di linguaggio che gli permette di non esser banale nel testo e un arrangiamento che sa guardare anche a mondi più lontani dove il folk è più di casa. I media non se ne sono ancora accorti come dovrebbero.
Sette
GionnyScandal – Boom
Questo pezzo ha tutte le prerogative per candidarsi fra i potenziali successi della prossima estate. Musicalmente parte dal tanto vituperato reggaeton e lo potenzia con la cassa in quattro e suoni clubbing. Per il testo invece non si è certo scritto i promessi sposi e del resto nessuno lo pretendeva. E’ un riempipista spensierato, sufficiente alla causa e nulla più.
Sei
Il Giardiniere Di Serpenti – Elefante
Proposta elettronica che ha dell’interessante. La metrica della canzone di snoda su una serie di scariche e mi ha fatto pensare ad alcune cose di Samuel da solista, mentre il modo di cantare si va a porre esattamente a metà fra un approccio quasi aulico, alla Battiato e qualcosa di più corposo, alla Sarcina. Forse è perché nel trio non c’è solo una voce? Può essere. Di Sicuro il progetto può avere la sua da dire. Inizio senz’altro sufficiente, anche più.
Sei+
Clicca in basso su continua per la seconda e ultima parte delle pagelle nuovi singoli del 27 maggio 2022.
La Rua – Sotto un treno
Strana quest’uscita dei La Rua. Strana perché scelgono una ballata problematica nel testo, loro che avevano sempre scelto la leggerezza come liet motiv della produzione. Strana perché magari non era questa la canzone che ti attenderesti per l’estate. Ma se fosse questa invece la mossa azzeccata? Il pezzo è di fatto convincente, giustamente arrabbiato per quel che racconta. Perché un amore quando finisce non è fatto certo di auguri di buona vita, ma spesso e anzi soprattutto, di doversi leccare le ferite, uscire da sotto un treno, notti insonni. E certe cose non possono essere cantate in maniera scanzonata; on danno lo stesso effetto.
Sette
Leon Faun – Pioggia
Il rap di Faun è qui nel testo arrabbiato, anche se la cosa può essere rintracciata nelle liriche più che nella sua prestazione vocale che fortunatamente non è incazzata come gran parte di quella dei colleghi. La base gira attorno ad una linea di chitarra che detta le evoluzioni ed i cambi d’intenzione e su cui si appoggia un beat synth come è tradizione di stile. Non male ma troppo breve, troppo.
Sei=
Marlene Kuntz – La Fuga
L’inizio di questo brano, parlo dell’incipit musicale, mi ha fatto pensare a quelle sigle di cartoni animati ambientati nei canyon americani fra cowboy, sceriffi e pistole con la voce poi impostata alla Nico Fidenco a cantare le parole. Poi parte la voce di Godano e si va altrove. Si parla dei problemi climatici, della nostra terra che sta rischiando e noi con lei, il tutto in un crescendo musicale che mostra anche una certa rabbia, forse utile per far arrivare il messaggio. Chiaramente per un pubblico adulto per davvero e non per bambini cresciuti.
Sette
Meg – Fortefragile
Sempre originale Meg, sempre riconoscibile al contempo. Come ci riesce? Mantenendo la sua peculiarità vocale, quella di una scansione di sillabe, allunghi sulle vocali e poi contrazioni improvvise, ma appropriandola ad un mondo musicale sempre in movimento, scegliendo di non esserci con costanza ma esaurendo le cose da dire spremendo il limone. Si ferma, ricerca, elabora, poi torna. E puntualmente ci fa chiedere dove si fosse andata a nascondere.
Otto
Michele Merlo – Farfalle
Quando ti trovi dinanzi ad un brano che ha vissuto questa storia per uscire, quella di un giovane autore ed interprete che non c’è più, hai paura di essere condizionato nel giudicarla, di lasciarti confondere, imbonire dall’assenza che magari dona maggior valore alla prova. Però poi quando ti ritrovi davanti ad una prova buona, tiri quasi un sospiro di sollievo.
Michele Merlo aveva sicuramente tante cose ancora da correggere sul suo cammino verso una vita di musica, ma aveva talento che qui ha lasciato come testamento. Un testo graffiante, pieno di realtà e figurazioni al contempo, crudo, snocciolato come un rap da uno che non era un rapper, ma che forse aveva bisogno di dire troppe cose per comprimerle in una strofa pop. Non sarebbe stato forse questo il brano della vita, del successo popolare, ma poteva essere la finestra che si apriva sulla sua musica, che richiamasse il riflettore su di lui.
Sette
Tommaso Paradiso – Piove in discoteca
Sound 80, così come l’enfatizzazione sulla voce che però è cosa piuttosto solita per Tommaso. C’è una storia d’amore raccontata con una scenografia alle spalle decisamente identificativa che pure non riesce a dare alla canzone quel corpo di verità che invece delle coordinate così precise, il golfo di Napoli, avrebbero dovuto concedere. Il discorso resta infatti un po’ sognante, forse addirittura trasognato e quindi un po’ inconcludente. Dalla sua però i bei suoni usati, quelli si molto evocativi, e un’orecchiabilità che rende il pezzo canticchiabile subito.
Sei
Pinguini Tattici Nucleari – Giovani wannabe
L’allegria è sempre alla base della proposta della band bergamasca, così come la positività. Ed è evidente che il termine “wannabe” del titolo non si riferisca al cercare ad ogni modo di essere giovani ( come tra l’altro sono ) ma alla voglia di ricercare cosa essere esattamente, cercare il proprio posto. Dal punto di vista musicale è un up tempo frizzante in linea con la stagione in arrivo, sicuramente piacevole ma anche piuttosto prevedibile. Nelle loro corde senza novità di rilievo.
Sei
Piove – Fuoco
Non farsi capire è diventato il nuovo tocco di modernità? Cerchiamo di non esagerare però, Sinceramente mi sembra di sentire un robot o la colonna sonora di un videogioco inceppato. La prima strofa in particolare è incapibile. Cosa dovrebbe restare da tutto questo?
Tre
Quasi – Iqos
Pezzo volutamente leggero, risposta al periodo di chiusura che ci si può lasciare alle spalle magari solo camminando fra la gente, avere voglia di uscire solo perché c’è il sole, oppure perché si ha voglia di tenere in mano una birra mentre percepisci il discorso di quelli alle tue spalle e fumi la tua elettronica riempiendo il circondario di fumo. E’ una positività non stupida e, pur dicendo cose estremamente semplici, quanti di noi, dopo quello che abbiamo vissuto non ne hanno davvero voglia?
Sei 1/2
Rhove – LaProvince #2
Indubbiamente fra i personaggi più forti di questo periodo, Rhove resta per me un mistero. E non si tratta di essere Boomer, come dice la sua generazione di tutti quelli che bastano abbiano superato i tre decenni di vita, ma proprio perché se provo a scomporre un pezzo del genere non mi resta nulla. Non c’è musica ma solo un beat ripetuto ossessivamente, non c’è testo che abbia modo di legarsi alla vita e gli stessi ragazzi che oggi lo apprezzano per via degli slang, già domani non si ritroveranno più in questi stessi modi di dire, non c’è voce, non c’è un timbro riconoscibile, non c’è tutto quello che potrebbe differenziarlo da mio nipote che, di tanto in tanto, tira fuori un beat da YouTube e mi rima sopra qualcosa e mi dice: “zio ti piace questa mia nuova canzone“? Ecco mio nipote per fortuna la smette li! Detto questo, sarà sicuramente come minimo disco di platino.
Tre
Andrea Sannino & Franco Ricciardi – Te voglio troppo bene
Molto Ricciardi e meno Sannino, ( che si fa quasi fatica a riconoscere ), questo pezzo che mette assieme due cantori molto amati di Napoli. Racconta di quando una paura bussa alla porta, di quali parole un uomo con gli amori di una vita da proteggere si serve per accettare di andare a combattere. E le guerre sono tante nella vita, anche quella vera che ha bussato alle porte dell’Europa e ci fa sentire insicuri. Mentre Franco resta in una confort zone tutta urban a cui ci ha abituato e che gli calza a pennello, Andrea appare qui molto meno classico, più propenso verso sonorità che mai gli sono appartenute prima d’ora. Anche il fraseggio chiaramente cambia: meno note lunghe, armoniose e perfette, più ritmica e battute sul tempo. E la cosa gli serviva. Riuscita.
Sette
Swch – Reset
Interessante cambio stile per Rod Mannara, che giacché si trovava, cambia anche identità artistica in Swch. Ed il nome è sicuramente più adatto allo stile intrapreso: un’elettronica che ha chiare radici provenienti dalla parte conclusiva degli 80 che la sua voce, un filo algida, trasporta ancor più dietro, fino all’inizio del decennio. Il pezzo trova il suo perché nell’inciso che gli permette una maggiore possibilità di canto e nei bei suoni scelti, un po’ meno invece nelle strofe, impostate in maniera troppo statica per poter andar fuori da un meccanismo quasi robotico. Più che sufficiente comunque.
Sei+
Ultimo – Vieni nel mio cuore
Voglia d’internazionalità nella nuova proposta di Ultimo che rinuncia al suo fare ansiolitico, divenuto fin troppo prevedibile, per farsi sorpassare dal sound, che diventa serrato molto e più del suo cantare. Il pezzo ricorda un po’ “Hold Back The River” di James Bay, ma si tratta di un passaggio che è perdonabile soprattutto perché il brano in questione ci regala un artista da riscoprire che invece avevamo un po’ perso, o forse semplicemente me l’ero perso io, con buona pace sua che ha continuato a fare molto successo.
Sta di fatto che io sono contento di questo pezzo, di questa batteria, di questa ritmica, del senso positivo del testo, della voglia d’amore che comunica, di un amore che non fa male, che non è malato ma che è vivo, pulsante e conduce in un posto migliore. Te lo posso dire bravo?
Otto
Margherita Vicario – Onde
Allora devo subito specificare che trovo questo pezzo carinissimo, che è una canzone che in una compilation estiva metterei ad occhi chiusi, sapendo che in macchina mentre si va al mare ci si divertirà a cantare, però… Però credo che a Margherita sia piaciuta, un pochetto Bagno a Mezzanotte di Elodie ed ancor di più, La Rappresentante Di Lista e la sua proposta sanremese Ciao Ciao. Del resto come potrebbe non esserle piaciuta visto che l’ha cantata tutta Italia? Il problema è proprio li, che la stiamo ancora tutti cantando. Con dispiacere e con tanta voglia di cantarla ma…
Quattro
L’articolo Le Pagelle ai nuovi Singoli italiani in Uscita Venerdi 27 Maggio: Ultimo e Meg conquistano e sorprendono. Voto rosso per Vicario e Rhove proviene da All Music Italia.
We want to say thanks to the writer of this short article for this amazing web content
Le Pagelle ai nuovi Singoli italiani in Uscita Venerdi 27 Maggio: Ultimo e Meg conquistano e sorprendono. Voto rosso per Vicario e Rhove
The group of friends who spent their adolescence going from the “conventional” world, plotting conflicts with creatures from the Upside Down, will be resolved in this final season. THE season, which will be divided into two parts, which will air exclusively on Netflix this Friday, May 27th. The second half, entitled Stranger Things 4 Vol. 2will have its conclusion scheduled for the 1st of July of this year.
Six months after the battle of Starcourtwhich left a trail of terror and destruction in Hawkins, the group of friends break up for the first time – as they go through a turbulent time at school, which makes things even more difficult. In that vulnerable moment, an even more terrifying supernatural threat emerges, bringing a great mystery that could be the key to ending the horrors of the Upside Down. Check out the trailer here:
Strangers Things is produced by Monkey Massacre Productions & 21 Laps Entertainment with executive production of The Duffer Brothersalong with Shawn Levy e Dan Cohen and 21 Laps Entertainment, Iain Patersone Curtis Gwinn. And against with the stars: Winona Ryder (Joyce Byers), David Harbour (Jim Hopper), Millie Bobby Brown (Eleven), Finn Wolfhard (Mike Wheeler), Gaten Matarazzo (Dustin Henderson), Caleb McLaughlin (Lucas Sinclair), Noah Schnapp (Will Byers), Sadie Sink (Max Mayfield) and much more.
This season will have a plus, the above average length of chapters. Unlike the show’s standard 45 minutes, the final act will offer more than an hour per episode. In an interview given to The Wrapor the Duffer brotherscreators of Stranger Thingsannounced: “especially episodes seven and nine” (…) “And the ninth is a long movie. We’re still finalizing it, but let’s just say it’s more than two hours. It’s one of the big ones.”
And do you know who will also enter the Upside Down? That’s right, the assumed fan of the series, headline of Primavera Sound Sao Paulo and one of the forerunners of Pc Music/Hyperpopto grandiose Charli XCX! The singer and music producer announced on her social media an exclusive and immersive show online just days before the second part of season 4 comes to us. The performance, titled “Crash” live in Hawkins, is scheduled for June 23. Not much information, but with some hints of what to expect. Check out the promotional video.
We want to say thanks to the author of this write-up for this outstanding content
The start of the final season of Stranger Things has been given
The group of friends who spent their adolescence going from the “conventional” world, plotting conflicts with creatures from the Upside Down, will be resolved in this final season. THE season, which will be divided into two parts, which will air exclusively on Netflix this Friday, May 27th. The second half, entitled Stranger Things 4 Vol. 2will have its conclusion scheduled for the 1st of July of this year.
Six months after the battle of Starcourtwhich left a trail of terror and destruction in Hawkins, the group of friends break up for the first time – as they go through a turbulent time at school, which makes things even more difficult. In that vulnerable moment, an even more terrifying supernatural threat emerges, bringing a great mystery that could be the key to ending the horrors of the Upside Down. Check out the trailer here:
Strangers Things is produced by Monkey Massacre Productions & 21 Laps Entertainment with executive production of The Duffer Brothersalong with Shawn Levy e Dan Cohen and 21 Laps Entertainment, Iain Patersone Curtis Gwinn. And against with the stars: Winona Ryder (Joyce Byers), David Harbour (Jim Hopper), Millie Bobby Brown (Eleven), Finn Wolfhard (Mike Wheeler), Gaten Matarazzo (Dustin Henderson), Caleb McLaughlin (Lucas Sinclair), Noah Schnapp (Will Byers), Sadie Sink (Max Mayfield) and much more.
This season will have a plus, the above average length of chapters. Unlike the show’s standard 45 minutes, the final act will offer more than an hour per episode. In an interview given to The Wrapor the Duffer brotherscreators of Stranger Thingsannounced: “especially episodes seven and nine” (…) “And the ninth is a long movie. We’re still finalizing it, but let’s just say it’s more than two hours. It’s one of the big ones.”
And do you know who will also enter the Upside Down? That’s right, the assumed fan of the series, headline of Primavera Sound Sao Paulo and one of the forerunners of Pc Music/Hyperpopto grandiose Charli XCX! The singer and music producer announced on her social media an exclusive and immersive show online just days before the second part of season 4 comes to us. The performance, titled “Crash” live in Hawkins, is scheduled for June 23. Not much information, but with some hints of what to expect. Check out the promotional video.
We want to say thanks to the author of this write-up for this outstanding content
The start of the final season of Stranger Things has been given
On the one hand, two of the most active names in new Brazilian music together with an iconic rapper of this generation. On the other, a ubiquitous artist since bossa nova in the 1950s, the only woman on the record Clube da Esquina and partner with names like Vinicius de Moraes and Geraldo Vandré in compositions. That’s where she was born What My Corns Say About Mewhen Marcus Preto (Gal Costa, Bala Desejo) and Emicida decided to produce, with musical direction by Pupillo (Nação Zumbi, Céu) a new work by Alaide Costa.
The work has a repertoire composed of unpublished songs written by a legion of fans of the singer, such as Céu, Nando Reis, Joyce Moreno, Ivan Lins, Erasmo Carlos in partnership with Tim Bernardes and Emicida himself. “I was surprised to learn that he was my fan, even though he swims in such a different beach, huh?” said Alaíde over the phone – and with laughter – when pavé music, also commenting that the rapper’s lyrics “go down different paths, which the others, suddenly, didn’t. He has a very different view, that’s very beautiful.”
At the age of 86, the singer says that the compositions “were arriving” as soon as they found out that the album was in production, a “tribute”, in her words, from those who have been following her work since forever. “Unbelievably, most of my audience at the shows is made up of young people who knew me through parents or grandparents”, comments Alaíde, “including Céu, who is young, is my fan because her father is a fan. Nando Reis also learned to like me through his father”.
//www.youtube.com/watch?v=cLFFxOVH56c
For the artist, the highest value of What My Corns Say About Me it’s “having managed to bring these different generations together for a person already like that at my age, who… I don’t know, a lot of people at my age can’t sing anymore and having all these people with me is very interesting. God gave me the privilege of not touching my voice, this is very gratifying”.
Looking back on her career, Alaíde comments that she has followed several musical movements over the decades. “Although I have nothing against any movement – everything is valid in music – I never wanted to leave what I believed in”, she says, “I had absurd proposals. I was without a record label and a director made me an offer, but I would have to record the Love Serenade in a rhythm of iê-iê-iê. Then I continued without a record label (laughs)”.
“I was never invited to participate in anything”, she says about the social transformations that music accompanied over these decades, “not that I didn’t want to participate, but I was never invited, I think because of the music I make. I think suddenly [era esperado que] a black woman would have to be singing a sambão, rolling and all that, and I did the opposite, right? So I was never invited.”
“Everything is valid, but it’s not what I wanted for myself, right?”, she says, and quotes the song by João Bosco, with lyrics by her son Francisco (at my feet, which closes the album) to summarize his career: “I made my own path/No one pointed me out/I turned around by myself/I ate all the bread/That the devil kneaded/I don’t do it on credit/But I always give everything for love”. “This is my story”, concludes Alaíde.
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Alaíde Costa Feels “Honored” in Her Own Record
On the one hand, two of the most active names in new Brazilian music together with an iconic rapper of this generation. On the other, a ubiquitous artist since bossa nova in the 1950s, the only woman on the record Clube da Esquina and partner with names like Vinicius de Moraes and Geraldo Vandré in compositions. That’s where she was born What My Corns Say About Mewhen Marcus Preto (Gal Costa, Bala Desejo) and Emicida decided to produce, with musical direction by Pupillo (Nação Zumbi, Céu) a new work by Alaide Costa.
The work has a repertoire composed of unpublished songs written by a legion of fans of the singer, such as Céu, Nando Reis, Joyce Moreno, Ivan Lins, Erasmo Carlos in partnership with Tim Bernardes and Emicida himself. “I was surprised to learn that he was my fan, even though he swims in such a different beach, huh?” said Alaíde over the phone – and with laughter – when pavé music, also commenting that the rapper’s lyrics “go down different paths, which the others, suddenly, didn’t. He has a very different view, that’s very beautiful.”
At the age of 86, the singer says that the compositions “were arriving” as soon as they found out that the album was in production, a “tribute”, in her words, from those who have been following her work since forever. “Unbelievably, most of my audience at the shows is made up of young people who knew me through parents or grandparents”, comments Alaíde, “including Céu, who is young, is my fan because her father is a fan. Nando Reis also learned to like me through his father”.
//www.youtube.com/watch?v=cLFFxOVH56c
For the artist, the highest value of What My Corns Say About Me it’s “having managed to bring these different generations together for a person already like that at my age, who… I don’t know, a lot of people at my age can’t sing anymore and having all these people with me is very interesting. God gave me the privilege of not touching my voice, this is very gratifying”.
Looking back on her career, Alaíde comments that she has followed several musical movements over the decades. “Although I have nothing against any movement – everything is valid in music – I never wanted to leave what I believed in”, she says, “I had absurd proposals. I was without a record label and a director made me an offer, but I would have to record the Love Serenade in a rhythm of iê-iê-iê. Then I continued without a record label (laughs)”.
“I was never invited to participate in anything”, she says about the social transformations that music accompanied over these decades, “not that I didn’t want to participate, but I was never invited, I think because of the music I make. I think suddenly [era esperado que] a black woman would have to be singing a sambão, rolling and all that, and I did the opposite, right? So I was never invited.”
“Everything is valid, but it’s not what I wanted for myself, right?”, she says, and quotes the song by João Bosco, with lyrics by her son Francisco (at my feet, which closes the album) to summarize his career: “I made my own path/No one pointed me out/I turned around by myself/I ate all the bread/That the devil kneaded/I don’t do it on credit/But I always give everything for love”. “This is my story”, concludes Alaíde.
like more interviews no pavé music
Share!
The post Alaíde Costa Feels “Homageada” in Her Own Record first appeared on Música Pavê.
We would like to say thanks to the writer of this post for this remarkable web content
Alaíde Costa Feels “Honored” in Her Own Record